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It's a good thing that beauty is only skin deep, or I'd be rotten to the core.
'Hamlet' is one of the most dangerous things ever set down on paper. All the big, unknowable questions like what it is to be a human being; the difference between sanity and insanity; the meaning of life and death; what's real and not real. All these subjects can literally drive you mad.
I've got four houses in my street. I live in two, and the others are empty. I'll buy more as they come up, because I think it would be great to have the entire street.
I don't think of myself as funny. I think of myself as rather grave, actually. And I'm suspicious of fun. I never quite know what that is or how to deal with it or how to generate it. That's my fault. I know it's a burden on the people I'm with. It's tiresome.
It's interesting to see how people bring different things to them. I think it comes down to the universal appeal of the Holmes-Watson that they can keep being discovered in different ways.
The other nice thing about the robes is that they keep you cool in the summer, and we were filming sometimes in Rome, where it was sometimes over 100 degrees.
I feel more and more at ease, because I think the older I get, the less pressure there is. People say, 'Well, he's not cutting edge because he's not in his twenties, so he's not expected to be.'
I'm incredibly boring; I had a very happy childhood. I never starved, nor did I have a silver spoon in my mouth. I'm one of those terribly middle-of-the-road, British middle class, South London gents.