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When you're making movies you've got to get obsessive.
A lot of actors say that theater's the thing for them. And that's great, and I'm not one to speak with any authority about it because of not having done it properly. For me, movies are what I love.
As an actor, I don't feel like it's necessary to watch a great deal of films. In fact, I think it can lead to imitation and unhealthy competition, which just isn't needed.
You're creating a different world and the actor's job is to be able to convince the audience to enter into that world, whether it be actually something that you recognize from your own life or not.
“As an actor, a Dogme film is not that big a difference. You don’t have to wait for the lighting, so you get a better rhythm. It’s the camera guy and the editor and the sound guy who are in trouble. Because they can’t do what they’re used to doing.”
I'm not interested in playing characters who see the world through my prism. I think the journey of understanding any character is to see how they tick and how they differ from you.
Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.
What I love about the theater is that you know who you're acting for: your audience. And the thing I find really hard in film is, you don't. The audience is invisible. And we're sitting there, hoping there's other people out there.
I certainly think that when I flick through all the magazines at the hairdresser's I like to see and am drawn to images that have an intelligence and mind at work behind them.
It's part of my job. You can't play Veronica Guerin sounding like this. It just wouldn't wash. But what I find fascinating about doing an accent - unless it's a farce - is that it's not slapped on.