It's amazing to dwell in the world of fantasy and fear.

I enjoy the process of writing.

If four or five days go by, and I haven't written anything, I feel incomplete.

If you enjoy your journey as a writer, you will never find it difficult to write.

I am not really a city person.

I get inspiration from a lot of things around me - nature, hills, people, and even insects.

Ghosts are all around us. Look for them, and you will find them.

I am a sleepy fellow. I will take a nice long nap the first chance I get.

I like flowers. In my next life, maybe I can be a gardener.

You may not enjoy loneliness, because loneliness is sad. But solitude is something else; solitude is what you look forward to when you want to be alone, when you want to be with yourself. So, solitude is something we all need from time to time.

I'm a pickle fiend. I like all kinds of pickles: garlic pickle, lemon pickle, mango pickle, jackfruit pickle, you name it.

I can't live in a room without a window.

Many people told me such convincing ghost stories that I felt that there really were ghosts, though I hadn't seen any. And though I still haven't seen a ghost, I feel that they are all around us; we are just not aware of them being there.

Children haven't changed - the world around them has. Their basic natures haven't changed. They like ice creams. They like to have fun, play games if they get space.

In my twenties, I wrote a lot of romantic stories in which I always lost the girl.

Change has to come. It's not always what you'd like. It's what other people like.

There will always be books as long as I am mentally capable of it.

I do all my thinking lying down.

I used to type, but now, typing or working with a computer, I get a stiff neck. So I prefer writing longhand.

My first, 'Room on the Roof,' was the longest book I've written.

I've never written specifically for children as such. I write to please myself, and if it is suitable, it gets printed as a children's book.

I've lived in small rooms, flats, growing plants in pots on window sills. I'd have liked to have had a full-fledged garden with all kinds of flowers and plants. I've never had enough money to buy a big enough garden space.

I keep a journal, like many writers do. It helps in writing a story, as you can use an incident from the journal and put in your story.

Jokes apart, I, like many other, am looking for strong and stable government. I don't want any chaotic political situation where the elected government is being toppled frequently.

For the film 'Saat Khoon Maaf,' which was adapted from my story 'Susanna's Seven Husbands,' I did collaborate on the screenplay. I even took a small role in the film, of a priest.

I have an excellent memory - for books and authors, that is. I remember all the books I've read.

I won't usually just sit down to write. I'd have done it in my head already. I visualise a story just like a film strip running in my head. I guess that is also a reason why my books have such a visual element to them. And it's what I tell young writers: plan your story ahead.

One of the very first ghost stories I read - and that was in a forest rest house, where it is a bit scarier - was by M.R. James. He is one of the pioneers of ghost stories. And the book was called 'Ghost Stories Of An Antiquary.'

I wrote 'Time Stops at Shamli' in 1956, shortly after 'The Room on the Roof' was published, and I couldn't find anyone to publish it.

If I set out to write 'War And Peace' or 'A Suitable Boy,' I'd be miserable.

I had a bad habit of falling in love with any girl who was nice to me.

A few years after my father's death, my mother sent me to the United Kingdom for 'better prospects' in 1951. Those four years were not easy.

As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.

Sometimes good stories are created while documenting dreams.

I think I'm from the 18th century, not even the 19th. I don't even use a typewriter. I prefer longhand, and that's how I submit my manuscripts to my publishers.

I have been naturally inclined towards mountains, trees, flowers, and rivers.

The Nehru years were rather very peaceful years. A lot happened in those years: dams were built, five-year plans were made, Chandigarh was built in front of my eyes. Those were the years I grew up in.

It's nice to have awards from time to time. There was a time when I had to make a living from my writing, and it wasn't always easy. I value awards a lot - and more so if there is a little cash with them!

I was a bookworm in school, and in those days it was easy to get books. Bigger cities had book shops.

There was Uncle Ken of mine about whom I wrote a lot of stories. I can always write stories about uncles and aunts and distant relatives. They have to be distant, though; otherwise, you'll be in trouble.

I have been apolitical all my life.

I used to consider myself a loner.

I use a ball pen because fountain pens are clumsy, and I get ink all over my fingers by the time I finish with it.

When I was growing up, I remember having read all the books in the library. I often tried to emulate my favourite writers.

The transition from an English father to a Punjabi stepfather demanded an adjustment that was far from easy for a 10-year-old boy who had just lost his father.

Solitude helps you reflect.

Writing is the only thing I am good for.

Whenever I run out of people to write about, I cook up a few ghosts, or they appear before me.

Yes, I do seek solitude, but I am never lonely.

Films and books have been intertwined as far as my growing up is concerned.