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It's absolutely essential to my life. I don't know what I would do if I didn't write.
In judging other people's work, particularly short stories, I have noticed how novice writers tell the readers everything about their characters in the first paragraphs, disclose their motives, reveal their recent activities and their future intentions.
I go to the House of Lords in the afternoon and try to walk halfway. I may be thinking about what I'm going to write. It's much more satisfying than sitting in a chair.
I can't sum up my books. They're all rather complicated. Sometimes I think they're too complicated. But that's the way I am. When I start to write a book, my head gets full of all kinds of detail.
Ford Maddox Ford's 'The Good Soldier' is my favourite novel. I first read it in the 1950s and have read it about 20 times since. It's possibly the best-constructed book in the English language.
Haemophilia itself is bad enough. It is disabling day by day, even if far less incapacitating than in the 19th and early 20th centuries. But the added burden of life-threatening further illnesses from contaminated NHS blood is far worse.
'The Chimney Sweeper's Boy' began differently from any previous book I'd written. It actually derives from a story a friend - the novel's dedicatee, Patrick Maher - told me.
I never make notes; just a few small details when I'm writing, but nothing much. The plot is never written down. I will tell the story to myself, but I won't plan it. I'll speak the narrative in my head for a while.