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By the age of 17, for me, we had got an recording contract, and, boom, I was gone.
I don't specifically sit down to write a Motley Crue song, so for me, that's how it works. The things that sound like they might be Crue, I put aside on my hard drive and keep them in that pile.
I threw my son, Brandon, a rave for his birthday and I fully set it up like a crazy rave with lights and sound, me and my partner DJ'd - I got Mix Master Mike from the Beastie Boys to come DJ for a bit.
One day I would love to do rock a gig on the moon - how rad would that be? Isn't Richard Branson flying planes to outer space? Motley Crue could be the first band to play on the moon.
Playing upside down is insane. It's two or three times more difficult than what's normal. Your feet want to come off the pedals, your arms want to drop down - all of your body is fighting gravity.
Being married to two extremely high profile, you know, actresses, and being sort of chased by, you know, paparazzi and people, it's a whole different dynamic happens to a relationship when that happens. All of a sudden, things get a little crazy, a little crazy.
I don't listen to anybody's full record anymore and when I did, I don't think I listened to the whole record. I'm sorry, and I don't care who it is, if it's the Beatles, I can't listen to an hour and a half of anybody straight so I guess that's just my personal preference.
On our first record, man, I didn't know what I was doing. I was just playing. I was over playing. You're as green as you can be with no experience in recording or knowing how sometimes a song can work: when it's too much, when it's not enough, when it's not right.
Trust me: all of us walk around and look at each other, and without saying it, we all know we're thinking, 'Really dude? Were still here!' and pinch ourselves. Typically, careers have short life span, 10 years if you're lucky, so what we've done is amazing.
I wouldn't specifically say rock n' roll is dead, but I don't see a lot of charismatic performers in the way of new blood who are edgy and dangerous on stage, like Marilyn Manson, who you never quite know if he's going to make it through his own show.
There are things you do that just come natural, and sometimes those are amazingly in synch, and sometimes they're horribly out of synch, and you're like, 'Ooo! That wasn't very good tonight.' Most of the time, it's just on.
I got really frustrated in jail, and I was like, 'Man, I love what I've done, and I love the mark I've made on rock n' roll history'... and I sat there, and I got really depressed, thinking, 'I gotta make a move... do something fresh and new.'
Lonely, ain't it? Yes, but my lonely is mine. Now your lonely is somebody else's. Made by somebody else and handed to you. Ain't that something? A secondhand lonely.