Usually, I'll just be walking from my house to somewhere else, and melodies and words will start coming up, and I'll have to run home to write it all down.
There's a lot of art that's about loss and sadness, but I would love it if hopefulness were more of a cliche. That's the work that always sticks with me and emboldens me in life.
I hear a lot of artists become kinda self-referential, and a lot of people that tour a lot tend to write about the perils of being on the road later in their careers.
Four months after we released 'I Don't Want to Be Funny Anymore,' the album came out on EggHunt. Three months after that, we officially signed with Matador. That's not a very long time: half a year between the first flood and the final signing.
If there are people who treat me wrong, I either talk to them about it, or I don't talk to them anymore. It's been the most thoughtful and considerate thing I could do for myself and other people. I am going to try to do that forever.
I can't imagine being in a tour bus. It would be nice, but I think it costs $30,000 a week to rent. And I can't imagine spending what many people make in a year on a vehicle for one week.
The main way that being adopted has shaped my songwriting is that I was asked at an early age to consider the circumstances that led to my life, and in a way, I was introduced to how fragile and unlikely life is from the beginning.