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I have learned to be steady in my course of love, or fear, or loneliness, rather than impulsive in its wasting, either lyrically or emotionally.
I gave up language for a while, and I started painting.And then I only listened to Miles Davis and other instrumental music to see how it felt to be without words.
You stand in front of a great painting and your heart just opens and your mind expands about what's possible. That, to me, is a connection to what God is.
I think any young person who is going into the same field as their parent whose parent has been very successful, it's complicated.And it was complicated for me.
I wanted to be the writer in the room setting depth charges of feeling out the world with my language.You know, I had a very romantic idea about that.But I grew into being a performer.
Yeah, I was in the phase for the last ten years or so where every record I made I said OK, that's the last one, I don't want to record anymore, I don't want to do this any more, I don't want to have a public life.
Once your kids get older and get out of the house, it's not like it stops. They're on the phone with me every day; I'm intimately involved in their problems.
But there's nothing that gives me more thrill than when I'm writing and a couplet works. I find the right rhyme, or it's just perfect. There's nothing that exciting.
And I kind of said to myself if I get my voice back I'm not going to take back the old anxiety about it and just focus on the limitations. I'm really going to enjoy it.
Well, the first year I lost my voice I didn't mind so much because I was going to have a baby and I was distracted with him anyway, I didn't even think about it that much, well, OK, this is what's happening.