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My sister Kathleen - one year older - was the school's acting legend. Her thing was getting all the parts, even Tiresias. And I wasn't going to mess with that.
I don't like the NFL, where I think it's a problem: some guy scores a touchdown, now he's got some kind of dance that he planned. To me, I just want to change the channel.
With the Red Sox, you have more of a literary interest in it. You know they're going to lose; you're just interested in how the plot is going to unfold.
What I've learned is sometimes it's good not to have all the same actions and have all the same takes. The variety you provide gives the director later on in post-production the ability to construct a more interesting performance as he puts the movie together.
I've been doing this for 33 years, and sometimes you make movies and nobody cares. But when people care, it's the greatest thing in the world - even when it's passionately against the title - because it's going to start a conversation.
'The L-Word' was such a great show because of the amazing writing and characters, but maybe because it was such a new concept, people couldn't pick up on it, but I think it was down to the dynamic characters and how well done it was.