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It is about meeting the right people at the right time that makes you go where you do. And I know that in our industry, everyone works hard but not everyone gets recognition.
I had heard that Robert Duvall was interested in doing 'Lonesome Dove,' and he's one of those actors with whom I'd work on any project. So I tracked down the script and started to bug the producer, Dyson Lovell, to get in there.
When you play on a team, you learn that there will always be five guys you like, a bunch of guys who are OK, and five you despise. The trick to getting along in any system is not to worry about the five you despise.
On a movie set, there's so much down time, adjusting the lighting. It gave me time to nap, call my friends, relax, work out. But with TV, there's no break time. None.
When you're 47 years old and playing at a world-class level in the fastest sport, and you have zero percent body fat, you need to be brought down a peg as often as possible.
I think it's particularly stupid that filmmakers have traditionally said, 'Yeah, I like baseball, but the movie's not going to be about the intricacies of the game.' I mean, you wouldn't cast an overweight guy with stubble if you were doing a ballet film.
In A-ball, you're either going to move up, or you're going to get released. That kind of paranoia played a lot into the players' mentality leading up to the events of 'Eight Men Out.'
I felt like the world of baseball in 1919 was much closer to what A-ball would be now - guys riding buses, there's no training staff, and there's a lot of paranoia.