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I would say that, between us, I tend to be a little bit more philosophically optimistic. Jonah, I think he sees things as more finite.
I've been looking for a superhero I could tune into and relate to for years, and when nobody stepped in to take the place of 'Buffy' in my poor soul, I thought, 'Maybe I can create somebody!' That's how 'Headache' came to be.
If action scenes just happen decontextualized, they lose their weight and the viewer can feel they don't make sense and that they wouldn't have happened that way.
Being a lawyer, it's like holding a key card to a parallel dimension of rule sets in the world, and it's lovely to make sure that key continues to work and to continue to brush up on the law every so often.
I think it's a very powerful notion, the notion that our personal views, although closely held, are not necessarily right. That part of what is noble is making sure there are checks and balances and a plurality of opinions.
When I play 'Grand Theft Auto,' I'm such a nerdy little law abider because I've always had this active imagination in which I sympathize and empathize with things.
'Deadpool' is massively successful because they made a very unique movie. That uniqueness and originality, try to imitate that. Not, 'How about let's try to do 'Deadpool' on a train.'
There was a choice of being a director who's more familiar with the technicality of doing a movie, like learning about the camera and filters and setup, or being a director who can actually talk to actors. And I always wanted to be an actor's director.
My brother took me to my first football match when I was five, and I quickly acquired a passion for it: once you've walked into a football ground, you know there's nothing comparable to it.