There's plenty of girlfriend roles out there. They've come my way, and many people have turned them down, and I think, "Oh maybe I could do something with this." It's interesting when you get those roles, which seem like nothing on the page, and you kind of subvert them. It's hard to say no.

One of my favorite moments is onstage, when you see a dancer leap, and you think they're flying, and then they fall. It's that moment of suspension that you look for, and sometimes you get it and sometimes you don't.

Fashion is one thing, you kind of can change your silhouette and try this and try that. But I think that with skin care, you know anything that you put into your skin goes into your body, so you want to know it's actually good for you. So I think I don't believe in fashion when it comes to skin care if that makes sense.

I never really think about my gender, first and foremost - until a door is closed to you. Until you can see a parallel opportunity with a man in a similar place in his career and you think, That opportunity is not open to me or my fellow actresses. That's interesting.

I think probably winning these things [an Oscar] can be a bit of a curse depending on who you are and how you think. But I haven't been on a journey to get anywhere in particular, so that hasn't changed. And my criteria for choosing projects hasn't changed.

I think the terrifying thing is you see all these people who go to the same cosmetic surgeon, and they end up, after a while, looking like everyone.

I think when you have a character as richly drawn, I suppose then there are subconscious, mental notes that you've made.

I think when you fall in love, whether you're heterosexual, transgender, gay, lesbian, whatever, straight, you feel like it's happening to you for the first time.

I think it's always good to take on things that at first seem bigger than you. Then you just try and surmount them.

I think we should stop drinking bottled water. There's no need to be drinking it if you're living in western communities.

I don't have a sense of entitlement or that I deserve this. You'd be surprised at the lack of competition between nominees - I think a lot of it's imposed from the outside. Can I have my champagne now?

Things present themselves to you, and it's how you choose to deal with them that reveals who you are. We all say a lot of things, don't we, about who we are and how we think. But in the end it's your actions, how you respond to circumstance that reveals your character.

If you only exercise your soloist muscles, the other muscles quickly atrophy.

When you're onstage, you're acutely aware of the reaction of a particular group of people, because it's like a wave.”

“I think at the prospect of bringing children into the world, your mortality comes very much to the forefront, absolutely.”

“I think marriage is all about timing. Getting married is insanity; I mean, it's a risk - who knows if you're going to be together forever? But you both say, 'We're going to take this chance, in the same spirit.”

“Marriage is a risk; I think it's a great and glorious risk, as long as you embark on the adventure in the same spirit.”

“I think Pilates is great, especially when you can do it with a trainer who keeps you on track.”

“An actress once advised me, 'Make sure you do your own laundry - it will keep you honest.'”

“I don't have a sense of entitlement or that I deserve this. You'd be surprised at the lack of competition between nominees - I think a lot of it's imposed from the outside. Can I have my champagne now?”

“Someone might have a germ of talent, but 90 percent of it is discipline and how you practice it, what you do with it. ... Instinct won't carry you through the entire journey. It's what you do in the moments between inspiration.”

“If you know you are going to fail, then fail gloriously.”

“If you know why someone is doing what they're doing, why they're behaving the way they are, then that's your job to reveal that, and often that's situational. The storytelling does that, and then some of it's your job as an actor to make that subtext come to life.”

“At the prompting of some stray instinct or chance association, you will invent delightful or fearsome circumstances, identifying them, with the most shameful doubleness, with the real ones...you will burst into passionate eloquence, or pant in the direst predicament, all for the fun of it, or by virtue of a terrible inner compulsion; and this dream which is byplay, or play which is a waking dream, will exhibit your brooding soul, if not always to moral advantage or with much coherence, at least in its unsuspected ingenuities of invention. What brilliant images, what subtle emotions, what dramatic turns in the argument of a dream, and in the make-believe of children! You seem to dictate and compose your fiction deliberately, rejecting, foreseeing, feeling the oncoming revolution towards which circumstances must be addressed.”