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Comedy is underrepresented in every actor's life, because it's so bloody difficult to write.
I was actually looking at comedies and wondered, 'Why is every comedy for a women a romantic one? I was so done! Then I said, 'Could I look at every script Jim Carrey rejected?' It didn't center around me getting a man.
I was actually looking at comedies and wondered, 'Why is every comedy for a women a romantic one? I was so done! Then I said, 'Could I look at every script Jim Carrey rejected?' It didn't center around me getting a man.
I think, in comedy, timing is everything. You and I could tell the same joke, but if one of our timing is off, it won't be as funny. You've gotta know when to deliver your punch-lines.
I think a lot of the instincts you have doing comedy are really the same for doing drama, in that it's essentially about listening. The way I approach comedy, is you have to commit to everything as if it's a dramatic role, meaning you play it straight.
Saturday Night Live is such a comedy boot camp in a way, because you get to work with so many different people who come in to host the show and you get thrown into so many situations and learn how to think on your feet, so filmmaking actually feels slow, in a good way.
For people who have done comedy after a certain point in time, I think there's a base level of, 'O.K., I think I'm decently funny.' But unless you just have some massive ego, I really think you're still fighting against that.
A lot of people have gotten into comedy because of certain influences in their lives or events that were painful, and I really have wracked my brain to figure it out. I pretty much have had a normal childhood. Maybe it was too normal.
When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?
All you have in comedy, in general, is just going with your instincts. You can only hope that other people think that what you think is funny is funny. I don't have an answer but I just try to plough straight ahead.
When you're doing an out-and-out comedy, the notion of preparing for a character - I hope I don't reveal too much of myself here - but, uh, no, I'm not doing anything.
When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.
When I was doing ensemble theater and comedy work, I felt I had some talents. But when I started doing my shows in Berkeley and found that I could be funny on my own, I was shocked.