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Whenever I hear my playing, I can't detach from my influences: there's my Jeff Beck, there's the Clapton bit, the Eric Johnson bit, the Birelli Lagrene bit, the Billy Gibbons.
There's a certain thing when you start getting into your late thirties or early forties where you stop caring. Not to the extent where you stop caring about the music, you just stop caring about what anyone thinks of you, and you just kind of let it go - let the chips fall where they may.
My first proper 'Here's your guitar, Joseph' was a 1981 Chiquita, one of those Erlewine travel guitars. And it was good for a four-year-old because it was small.
I'm not one of those people that has to share personal experiences. That's not really the kind of writer I am. I'm a very private person to begin with.
I am the poster boy for brick-by-brick foundation building. Play a club. Put on a good show for 35 people. Come back. Build your market. Have people talk about you.
I've really gotten over pedals. I can't keep up with this craze of boutique pedals that make you sound like everything but your guitar. I can't get my head around it.
The fact that I tour religiously in the spring, religiously in the fall, and do 125 shows - you can set your watch to that. And you could have set your watch to that in 2000 or 1999, and you can set your watch to it in 2012.
Eric Clapton and Jeff Beck made me an Anglophile. I listened to English and Irish artists as a kid, and they were way louder, heavier, and faster than the traditional blues that I was listening to.