It's funny: when I started playing bass in 1984, you had guys like Paul Simonon fron the Clash, John Paul Jones, Lemmy, and Nikki Sixx was the head guy in Motley Crue, and you had all this post-punk stuff like Magazine and Killing Joke where the bass sort of lead the way. Not that I picked it to sort of be a main dude, but it intrigued me.
People in Seattle - and I'm speaking from experience - are indoors more. It used to just rain a ton, and as a result, you'd be inside listening to music all the time and playing. You'd all rehearse at each other's houses and share ideas. There was no competition. When I got to L.A., I was really stunned by the competition.