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Actually, my mother turned me on to the blues. We had Lightnin' Hopkins as well as Elvis Presley records.
Every album is unto itself, so whatever sounds we need to come up with, like way back when, we needed horns. So we invented the Lone Wolf Horns, and we learned how to play horns.
Through the career, planned or unplanned - usually unplanned - we've taken different turns. And it's culminated in a worldwide following that's pretty substantial.
I'd go over to friends' houses and ask them to put on some Howlin' Wolf, and they wouldn't know what I was talking about. Then, when they would come over to my house, I'd play them some blues. Their parents wouldn't let them come back. The blues were still called 'race records' back then.
Vegas to me is a place like Hollywood or New York where you can walk around and people recognize you but it's like, hey, that's cool, and then we go on with our lives.
In each city there are different favorites. Whatever we do, we'll come off the stage and somebody will ask how come we didn't do 'Pearl Necklace.' At the next town, it's something else we didn't do that they wanted to hear.
I don't know if it was a single-blade or one of those straight-edge razors, but I used to play in bands that were, like, show bands and would play different clubs, and, in those days, I would go to the barber twice a week.