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I do think that being a sort of celebrity and being well off does give me some responsibility. I think that people who make a lot of money - and I do - should certainly give a considerable amount of it away.
I do write about obsession, but I don't think I have an obsession for writing. I'm not a compulsive writer. I like to watch obsession in other people, watch the way it makes them behave.
My favourite book - 'The Good Soldier' by Ford Madox Ford, which I have read about 20 times - is different from my favourite author, who is Iris Murdoch. I find her books exciting and unputdownable. Her characters are so carefully studied and in-depth; I love that.
I often think what it was like not to have much money. I don't think it's good for people to be born into money and not know what it is never to have it.
I am interested in names and what they say; it is true. I like to look at the columns of baby names in the newspapers. But I don't run out of new ones for my characters.
Wexford started off as a very conventional, tough cop and not a very original character because I had no idea I was writing a series, of course. I had no idea I'd created a series character.
I was a child, and in 1942, I was evacuated to the Cotswolds with my mother, who was a teacher - she went with her school. I lived in one house in the village, and my mother was in the vicarage.
My mother started to suffer from multiple sclerosis, but nobody knew what MS was then. My father didn't - and later he suffered a great deal of guilt over that. It was an awful business and very fraught.
If I've got to have a stroke or a heart attack, I'd rather have a heart attack. I don't think that's the only reason I campaign for the Stroke Association, but a stroke would be a terrible thing.
You don't knock television, even if you don't always like what they make of your work. It makes all the difference between being an also-ran writer and very famous.
I don't know that I am fascinated with crime. I'm fascinated with people and their characters and their obsessions and what they do. And these things lead to crime, but I'm much more fascinated in their minds.
I don't think the Barbara Vines are mysteries in any sense. The Barbara Vine is much more slowly paced. It is a much more in-depth, searching sort of book; it doesn't necessarily have a murder in it.
Some women say as they get older they're no longer noticed: they disappear. Men, for instance, don't see them. Nobody wants them. That doesn't happen to me because of who I am. Not because I'm any more scintillating company, but because I'm Ruth Rendell.
I went into a church and simply said, 'Goodbye.' It is the terrible unfairness of life. How could God allow cancer, poverty, the sheer unfairness of so many lives? That is the question which finishes it for me.