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'Fitoor,' in a way, signifies my journey through the years. It's a collection of 10 songs that I have written. It's basically about what I have been experiencing.
In terms of creativity, both are equally satisfying. Music album is for yourself, where you compose songs and stuff like that, and in films, you have a story, characters, and songs penned by someone else.
Who could think that children from the pockets of Himalaya sing folklore from Scotland and vice versa? Such an education in the initial years develops compassion and mutual respect for each other's skills.
Acting was always there in my mind, but I never tried too hard to take it up. I had to pay my bills, so I did whatever came my way. Music happened first, so I took it up quite passionately.
I was offered a jingle, and that led to another one, followed by composing music for documentaries. It got me in contact with other artistes on the scene. We would meet, jam up, and that's how Silk Route was formed.
I had a lot of Bengali friends in Delhi. The bands there had Bengali musicians: for example, Indian Ocean. We use to have a good amount of adda and sing songs through the night.
Classroom singing is common in India, but no one gives you marks for that. My idea is to introduce music and singing as full-fledged subject so that talent can be polished at an early stage. Also, it will help alleviate stage fear.
Capitalism is like the law of the jungle with a few rules. There isn't another system that works for our society but left unchecked, capitalism can have a dehumanising effect.
Maybe we are all prospective migrants. The lines of national borders on maps are artificial constructs, as unnatural to us as they are to birds flying overhead. Our first impulse is to ignore them.