On the second half of 'Under Pressure,' I talk about my family, and there are voicemails on my phone from when I was on the road that actually make up the second half of the nine-minute song. I transcribe them and rap them as if I were my sister, my brother, or my father.

We're human. Enjoy yourself. You work hard every day; you deserve to turn up on the weekends with your friends.

When I was, like, 18, that's when I started to really take my own craft seriously and just noticed people were enjoying it. And when I put out my first mixtape, that's when I realized I could make this a career.

I'm not Tupac or this prophetic dude or anything like that. I just want to make music and have fun.

Women are as precious as they are stronger than any man that I have met.

I was really scared to make this album and to make this song. Because I didn't want to talk about it. For me, it's even deeper than just '1-800.' 'Everybody' as a whole... I was terrified.

I got songs about being broke, being on welfare, being poor, Section 8.

Hate is ugly.

Everyone's going to like something that's different.

I wake up every day, make awesome music with awesome people, and tour the world, which is incredible.

Anybody who loves what they do, they're constantly doing it all the time. So I'm constantly working.

Not to sound cliche, but some of the first things that I bought were for my homies and my team: making sure the people that helped me and ensured my security and safety during my come-up, while I was broke, had the opportunity to be okay.

Be not scared to use your voice.

The biggest part of why I am where I am today is not only because people can relate to me and my story but because I hit the road and actually saw them face to face and shook their hands.

If you come to a Logic show, you get all creeds, colors, religions, and sexual orientations.

Drake doesn't realize, in many ways, he was like the big brother I never had. He set the example and paved the way for me to be myself. Now, whether I'm at the Grammys or whether I'm here or there or whatever, he'll show me love... People don't realize what that's like, what that means.

I grew up on Wu-Tang and Tribe and Nas, all the raw, very New York-driven music. Then when I got older - in my late teens, early twenties - and that's when I started to listen to Drake and J. Cole, and so it wasn't just East-coast.

By the time you get what you always wanted, you want something else.

You can't put my talents in a box because my talents have put me in a mansion, and I'll be damned if anybody in the world can tell me what I can or cannot do, because they're scared to do it themselves.

Black folk who don't realize I'm mixed will treat me like I'm some racist person, or when white people find out I'm black, they treat me with racism, and I don't feel like I belong or fit in anywhere.

I truly believe that if I'm out partying and not in the studio, there's somebody out there who will be. When I'm asleep, somebody else is working. So, I have a lot of sleepless nights.

On the song 'Buried Alive,' it's almost like the instrumental is a therapist.

From tours to mixing, mastering, graphics, artwork - I've done out of pocket.

Forever, for me, it was just about trying to make it and become a known person and loved and revered in hip-hop and the culture. But then ,I even realized that that isn't really important. What's mainly important is just the fans and the connection that you have as a man and an artist.

Success doesn't make you happy.

I know who I am, and I know my story, and the things that I talk about are authentic and real, and I always say this: I'd rather be hated for who I am than loved for who I'm not.

I've invested a couple million into touring, and that's paid off.

Obviously, deep down, I want people to enjoy my music, but the only people I want to enjoy my music are the people who want Logic to win and are fans of me.

No I.D. executive-produced 'Under Pressure' and helped me find the Logic sound that's evolving every day.

People try to tell me like that, 'Oh, you shouldn't be proud,' or, 'You're not this,' or, 'You aren't that,' or whatever the hell. I'm just kinda here to say, like, who is anybody else to tell me who I am or what I've gone through or what I haven't gone through?

I'm proud to be biracial, and there's a lot of people that say things like, 'I don't see color,' and I completely understand that, but I think different is beautiful, but I think our difference shouldn't separate us, and for me in this era, in this time, in everything that we're going through, my whole thing is just about unity, man.

I don't want to be looked at as just that guy with the best mixtape of the year. I want to be, all-in-all, an incredible musician.

I don't know how I'm really perceived in the world.

I want y'all to know that all of the music I make is for the people that truly appreciate it and care about it.

You literally cannot deny the fact that rock and roll was born because of blues, and blues is black man's music.

Everybody has culture, even white people have culture, but its different with me. So in high school, I was hanging out with the black and Hispanic kids. I'm not hating on white people. I hang with white people, too, but that's where I felt most accepted because I could relate to them more.

I like to always do my best to make music catchy, so I think a very catchy melody is cool.

My mother was crazy.

I turn down really well-paid shows all over the world because I want to spend more time with my wife and myself.

I'm proud to be black and white and look the way I look. I'm proud to not speak down on women or glorify things that are unimportant.

I've been blessed enough to have my eyes open because of music, first and foremost.

My mother was racist.

I'm not gonna do the same album over and over and over again.

I'm not the rapper that's too cool to tweet and talk to fans.

All I've done since I was young was hone my craft.

I wear my inspirations on my sleeve.

I was raised in a black household and grew up with black homies.

I think artists are interested in what people think of them.

I've been working a lot with No I.D. and Hit-Boy.

Everything I do creatively is never for money.