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It's very easy to get caught up in - there's a hype going on now that I haven't seen in years, and it's actually more about press than it is about an actor's work or what films they've been in.
I like movies about longing and desperation, and dark and light things, stories about people struggling to raise children, and to have relationships and be intimate with each other.
Whether a movie part comes to me or I seek it out, there's always this journey to darkness through light, or vice versa; that element has been in almost everything I've done.
It sounds like a cliché, but mother is really one of my closest friends, and so's my dad. He and I weren't very close when I was younger, but now we're best friends.
What about good small roles for women? I've told my agent, if there are two great scenes in a film, I don't care, if it's something with that great edge to it.
When you're playing someone who has a strong ego about themselves, you can't play them when you have the opposite opinion of the one they have of themselves.
I hope we can be consummate artists as women or revolutionaries, or whatever women want to be, and also have love, not only for ourselves but from a partner.
Whatever character you play, it gives you the chance to expose another side of yourself that maybe you've never felt comfortable with, or never knew about
I really don't consider myself to be a conventional Hollywood star. I've never really been marketed by the big studios to do mass market box office films.
When I started dating I had relationships with people who came from families that weren't at all artistic or whatever, and they didn't understand how to communicate. I find that so boring.
I'm very connected to my own family, and maybe I like to explore the feelings that come up in families. I'm fortunate that my parents taught me to look further into why I might feel a certain way; it was normal to expose things.
I think it's interesting that there's always a dark cloud hanging over my character, in every movie. Even in Fat Man and Little Boy, where it's a real dark cloud. In Mask, it's more the judgment of others, but it's still a threat.
I'm friends with Renny Harlan, who directed Die Hard 2, and I will say, I thought it was beautifully done. What I loved about it was that the bad guys are basically American political figures. They don't have East German accents or whatever.
I would say Steven Spielberg is family to me. He's a genius. We survived a hurricane together. I ran from half-puppet,half-nothing creatures. It was months of our life as family. It was the wildest film, Jurassic Park, I'd ever worked on that way.
I'd never done nudity in a movie; I've never sort of condoned it for myself, but David Lynch wanted it, and I was completely comfortable with it because that love story was so protected. There's never a moment where you feel anything is exploited.
It's interesting to talk to my mom about her character in Wild at heart, because she sees her as a mother who's just trying to protect her baby from a bad boy. I think that's why it works so beautifully - she has conviction about what she's doing.
The only thing that I can personally turn to is compassion, gentleness, a willingness to allow myself to be angry instead of like why am I so angry. It's so embarrassing. I've got to let this go. I'm not going to be a good person if I walk around angry like this.