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A few years after my father's death, my mother sent me to the United Kingdom for 'better prospects' in 1951. Those four years were not easy.
As a schoolboy, I loved Charles Dickens. His 'David Copperfield' has had the strongest influence on me - I looked up to David Copperfield as a role model.
I think I'm from the 18th century, not even the 19th. I don't even use a typewriter. I prefer longhand, and that's how I submit my manuscripts to my publishers.
The Nehru years were rather very peaceful years. A lot happened in those years: dams were built, five-year plans were made, Chandigarh was built in front of my eyes. Those were the years I grew up in.
It's nice to have awards from time to time. There was a time when I had to make a living from my writing, and it wasn't always easy. I value awards a lot - and more so if there is a little cash with them!
There was Uncle Ken of mine about whom I wrote a lot of stories. I can always write stories about uncles and aunts and distant relatives. They have to be distant, though; otherwise, you'll be in trouble.
The transition from an English father to a Punjabi stepfather demanded an adjustment that was far from easy for a 10-year-old boy who had just lost his father.
My mother wanted me to join the Indian army, as the army was seen as a decent and respectable career to have. I shocked my mother by telling her that I wanted to be a writer.
It is okay to experiment with language. Writers such as James Joyce, Virginia Woolf experimented with writing, but basically, one must have a familiarity with the language. And to have that, one must respect it.
In India, not enough importance is given to writing for children. And what could be more important than the enrichment of young minds with great literature?
I get panic attacks about dying, it's terrible. Sometimes I wake up in the middle of the night and my brain goes 'you're going to die, you're going to die, you're going to die.'
There's a club called Headliners in Chiswick where I do a lot of my warmups for tours. For me it's a nice 'big-small' room: it's a 300 seater, which feels small but you can still get big laughs.
It's really frustrating when you write a show and it's really funny and someone and from Standards and Decency says, 'You can't put that in because it has a naughty word.'