I feel like I have to be responsible for what I'm participating in or putting out into the world.

One thing you notice is, there's a lot of people with raw talent, and then there's people who take that talent and work hard.

I'm not a person who needs to chit-chat between takes by any means.

The hardest thing about working with your partner is that the work starts to become first.

I went to private school in Manhattan, and at a young age, they made us do public speaking. For some reason, I was good at standing in front of the class and speaking.

I like movies a lot, and I feel really excited when I see a movie that moves me the right way.

I like a restaurant called Bruci, and there's some really nice people who work there and good food. They change their menu a lot, so maybe that's what keeps me coming back. I never know what I'm going to get.

I'm very low-maintenance.

At the heart of drama is conflict.

I started acting pretty young, so I haven't had too many odd jobs. But I used to sell candy out of my locker in middle school.

It's hard to talk about acting because I don't think it's quite as explicit as a lot of people might think. And that's probably the best thing about it.

Your director is your main support - actors don't generally give each other advice on set, not in my experience.

I tore my ACL playing basketball.

New York is kind of a mythological city in may ways.

In life, you have to keep certain parts of yourself in check because you want to be a decent human being. But one of the guilty pleasures of acting is that sometimes you get to let a little something out that you don't in life because it's not right.

As people, no matter what we are doing, your whole body is living and breathing.

One of my favorite things I read was John Steinbeck's journals while he was writing 'East of Eden,' which was so cool.

I grew up in Manhattan, and now I live in Brooklyn.

To be called a genius at 17 or 18 years old can sometimes cause arrested development.

I go down to the dive bar around the corner when I go out. I don't go to the showbiz parties.

I'd love to do a really broad comedy at some point.

I'd always been fascinated by people who allow themselves to be so rude and irritated and foul-mouthed and hostile, but usually you can sense there's something vulnerable beneath them - a shield they use to protect that vulnerable side. Finally, when they expose that soft spot, it's kind of touching.

I love cereal. I eat several bowls a day, mostly a few late at night.

There's a lot of people that I would love to work with. There's a lot of different kinds of parts I wanna play. As your career progresses, you hope that you get some more opportunity or some more choice.

My first paying job might have been doing a play, actually. My mom paid me to dress up as a flounder at my sister's 'Little Mermaid' - themed birthday party when I was little.

I'm a sucker for period pieces. There is always great opportunity for research and to delude yourself into feeling like you are in a different time and place.

On 'There Will Be Blood,' I was cast at the last minute. I had 3 and a half to 4 days to get ready for the first day. I just went for it, threw myself in there and gave it everything I had. That was just guts and instinct, not a lot of preparation.

I like characters that make me feel challenged and sort of inspired.

There are maybe 100 actors I look up to, but my first two favourite actors were Dustin Hoffman and Jack Nicholson.

With somebody like Harrison Ford, they're so commanding and confident, and you know, he does have a certain power or charisma, and those are things that are sort of ineffable.

'Little Miss Sunshine' was really important to me.

I guess sometimes fear is a good thing. It's a really good motivator.

Homeless people really upset me when I was little. A lot of kids have this reaction, but I would get really worried or sad or concerned or cry.

There's that thing that if you want to have any kind of lasting love, I think you have to love the whole person and not just the parts of them that you choose.

George C. Scott, man, was a powerful dude.

I think control is a two-way street; sometimes people want to control things to keep them safe if they are afraid of life.

I've been fortunate to work with several actors and directors who I look up to, and learned from each of them.

I'm not a big shopper. I'm a pretty simple dresser, and that's not my pleasure go-to thing, looking for clothes.

I think that one of the strangest things about being an actor is, it's almost freelance work.

As an actor, I always feel you basically have to be able to delude yourself.

People think memorizing lines is hard, when that's the last thing you worry about. You get that done, and then you've got to worry about the internal stuff, which is the challenging part.

Films can be entertaining without shying away from exploring something. They can be magical and have fantasy, but also can have enough reality that you can be really emotionally invested.

I mean, to feel in good hands as an actor... it's the best feeling.

I would not take a girl to a club on a Thursday. I would not take her to a really noisy, swanky restaurant.

I am baffled by good writing.

In 'There Will Be Blood,' my character was someone who was an actor himself almost. He had a rehearsed quality about him. He was a performance artist in a way.

I think the idea is to try and understand everything about the characters and where the character is coming from, from their point of view, why they say what they do. And not, 'Oh, but I would never say that. Why does the character say that?' But then making it as personal as possible.

The idea of writer's block or not having inspiration is totally terrifying to me.

I don't like tight pants on guys.

A lot of people think I must be weird because of the films I've done. I get that.