I love Jughead. I love his one-step-removed perspective on everything in Riverdale. And I love the fact that he wears that stupid hat.

I knew I really wanted to work in comics in 1979.

I think superheroes are about flying. They're not about moping.

I wouldn't mind taking a stab at... I'd love to take a shot at 'Doctor Strange' at some point.

I know my 'Archie' history.

I don't know if you'd do a Marvel story on Ferguson, because it trivializes what the real flesh-and-blood people on the ground are doing there. But you can make an allegory and deal with the bigger questions.

We have a lot of supergeniuses in the Marvel universe, but very few of them are women.

Younger characters are just much more emotional.

To my mind, a mix of veterans and rookies is number one on the list of 'things that make a good Avengers team.'

There have been many days when I have had to work up to writing 'Irredeemable' because I just didn't feel like wallowing in that world, feeling those emotions... but that's the process.

Style and entertainment tastes change, but the core emotions of being a kid - which, not coincidentally, are the core foundations of any good story - are constant.

In Marvel Comics, the worst thing was always that your loved ones could be attacked, or you could be horribly beaten in a knock-down, drag-out fight, but in the Superman comics, you would be run out of town with people throwing rotten vegetables at you and waving a sign that said, 'Superman, Who Needs You?'

Everyone knows what it's like to make the wrong decision for the right reasons. For me, wrong decisions are the heart of drama - a character who's always making the right decisions is boring.

For me, it's infinitely more interesting to read or watch a character making decisions they think are right, but the audience knows differently, and seeing that disconnect. The only way characters can grow and learn is by making the wrong decisions and then learning from them.

I'll still do print comics; as long as there's a market, I'll still be there. I just have a hard time believing that's the future.

What I need is for comics to not cheapen out and just do what they think a bunch of bloodthirsty 15 year old fans want.

I'd still love to work with John Romita Sr. at some point. That's the dream.

The best stories, the most-fun 'Avengers' stories, explore the relationships between the characters.

I think it's imperative of me to advance that theory that you can win your small victories against the dark.

In a perfect world, I'd like to start running comics for kids - by kids.

By coincidence and not design, 'Everstar' is written and drawn by an all-female creative team, and it makes me smile to think that there may be young female readers out there, future writers and artists, who get to see that comics doesn't have to be a 'boys' club.'

You can do all of the world-building you want; at the end of the day, what's important is the heart and the drive of the story and the heart and the drive of the characters.

I think there's a moral imperative when you're writing fictional heroes to give characters who somehow give us something to aspire to as opposed to dragging them down to our level.

Teaching is good for me. It forces me to articulate ways of doing things or rules of thumb that I've sort of taken for granted.

It's always an amazing gift to be able to work with storytellers who 'get it' and who can not only draw anything but can draw it better and more dynamically than you'd ever envisioned.

I think someone like Jack Kirby, for instance, would suffer greatly in the transition from print to digital were he still around.

If you come into any creative project without questions, you're gonna bore yourself, and it'll show on the page.

I love print comics.

You either like me, or you don't like me. It's not my problem. I don't care.

It's always good to be in the Champions League.

I get on well with Mourinho. He trusts me and knows what I can give to the team.

I am ambitious; I want to play in the Champions League or in the Europa League.

Winning the FA Cup was a very big moment. You play for Manchester United to win trophies and play in games like that, so it was a great moment for me.

It's always like that: strikers have to score to be confident.

My best friends always say to me, 'Think about yourself first,' and tell me to be more selfish. But I'm not like that. I am a professional. I am of service to the club and to the manager.

I can win the ball. I can clear the ball.

If you want to win the game, you have to be aggressive.

It is always good to win the game before the break for internationals.

I get lots of fouls on me, but it is no foul because I am physical. Because I don't go down, that is the problem as well. But I will keep playing my game. Why would I change? It's my game.

When you are playing, you are always happy.

We are a great fit, and I'm excited about the chance to influence a new generation of young footballers alongside Warrior.

I chose Warrior because my approach to the game and desire to win is the same as theirs. It's a brand that does things differently to the others, and I really like that.

I do what the forwards do and score goals.

I prefer defensive midfielder because I know my job when I play there. More things are in front of you.

No need to prove anything - not in England or in Belgium.

You learn a lot from quality players.

Louis van Gaal trusted me; I played a lot of games.

I don't need to explain myself. All the managers I've had know my quality.

When a manager calls you and says you are part of his plans and that he trusts you, then you will give everything for him.

Everybody knows I am a team player.