So many people in this world get up every day and go to their nine-to-five job they hate for 12 months a year for 30 years. I kind of do a self-check and evaluation to realize I'm very blessed and grateful to be where I am.

I think it happens with every career when you've been around 10 or 12 years. You start to get on cruise control a little bit, then you freak out and go, 'Oh my gosh, we've got to change some things up.'

Constantly writing with new people is important. Also, listening to new music that's popular and that's making a splash - that's how I get motivated.

That's what Joe Don Rooney and I do. He plays guitar and I play bass - and there's no reason to call it a band if you're not gonna have the guys in the band playing on the records.

It caught us by surprise when people started calling us a boy band because we'd always considered ourselves pretty serious musicians.

The lines have definitely blurred between country and pop music.

We were so influenced not only by country music but by the rock bands of the '80s. Our focus was to bring in something different. Country music already had a George Strait and Alabama. We wanted to put some pop music in our show.

I've been really, really fortunate to have a mother that has spent many, many long hours on her knees praying for me. And I guarantee you, I would almost bet everything I have that that has saved me more often than not. So it sustains me.

I've been on the road since I was 15, in one way or another - on a bus, in a 15-passenger van, pulling a U-haul - so I would be lying if I said sometimes the miles and the road didn't get long. But it's always rewarding, that hour and a half every night you get to stand up there and see it all pay off and feel the love from that crowd.

We cut songs that touch us because if they don't touch us first, there's no way in the world we're going to be able to sell those songs to somebody else.

We've been very blessed in our career.

We've gotten to do so many great things throughout the years. We've gotten to meet presidents. We've been able to go to so many wonderful awards shows and meet so many great celebrities.

I think the simple message of that song is what attracted me to 'Every Day.' It's one of those simple yet profound lyrics.

People are always surprised to find this out, but the songs that we write, such as 'Winner of a Losing Game' and things like that, tend to be more country than the other stuff that we cut from outside writers.

I remember when 'I'm Moving On' came out, and we got the response we did, I thought, 'Man, this could be for real.' That was the first time it dawned on me what we had.

When you get new people around you, the excitement is new because they have different take on your music. They play it in a different way, and that's always exciting to be around. It elevates everybody onstage.

My mom was a singer, and my dad had been playing in bands with my mom's brother. My dad married my mom, and so I was sorta surrounded by music from the get-go. Born right into it.

It's hard to get to the point where you feel motivated and energized to go back in and create new music when you feel like you've just drained yourself by pouring everything you have into the previous project. It would be nice sometimes to take a longer break in between projects.

I draw inspiration from everywhere, whether it's country, R&B, gospel.

It would be nice sometimes to take a longer break in between projects, but unfortunately, the way that the business is, there's such a demand for new material on a consistent basis that it's nearly impossible to do that.

When I hear other artists that are new and fresh and exciting, then I get excited.

I love all kinds of music.

You learn really quickly how not only to be an artist, but you also become all of a sudden the CEO and owners of a company that you have to make major decisions about that I don't think we were fully prepared for in the beginning.

There's nothing worse than looking out and seeing some guy with his arms crossed while you're singing your heart out on a new song, and he's going, 'When are they going to do 'Me and My Gang?''

We love touring. We love being in front of the fans.

I'm surprised at the loyalty of the country music fan. People that started out with us at 'Prayin' for Daylight' still come to multiple shows a year.

We do pretty much the same set list every night, and the show's down to certain cues because we have video and all this production and lights and everything going on.

We've always prided ourselves on putting together a great live show. That's something that means a lot to us because our bread and butter is the live tour.

You start to compete with yourself when your catalog gets bigger and bigger... I mean, everybody wants the next 'Bless the Broken Road,' but you don't write those every day, so it's difficult.

I'm not really concerned so much with the industry, except in country music, as long as our fans keep coming to the shows and keep buying the records and we keep having success on country radio.

I guess, somewhere along the line, when we first came out, somebody thought it was a crime to be young and not wear a cowboy hat and sing country music.

It's so much fun to have vocal groups out on the road because we get to see them do their thing, and at the end of the night, we come back, and we all do a big thing together for the encore with 'American Band.'

There's really an art form to putting together a set list that flows evenly and that takes you on a ride and doesn't feel disjointed.

When you first start out in the music business and hope that you have a couple hits, the ultimate payoff is to be standing in front of all those people who are singing it back to you at the top of their lungs. And you know by the way they're singing it back that it's affected their life in some way. That's the ultimate reward as an artist for me.

Chicago was a big influence on all three of us growing up. I admire their musical integrity. When the opportunity came up to produce them, I couldn't let it go by.

When you sit there, and you sing the chorus - and then you look at each other, and everybody has the hair standing up on their arms - then everybody knows you've stumbled onto something.

I was raised in church, and we let our kids know who Jesus is.

Living country is more about your values and beliefs than cowboy hats or living on a farm.

I get along with everybody.

Are there people's music that I don't like? Sure, there are.

My beliefs and my faith are part of who I am, and I'm so grateful that I had the foundation laid early on. My mom took me to church from my earliest memories, so I'm grateful to have had that foundation laid early, and it's just part of who I am.

I think our kids live an extraordinarily different life than what I lived growing up. Pretty much everything about their life is different than mine was.

Country's opened its boundaries so wide that it embraces everything, and it gives everybody this new freedom to create now.

The hardest part, for me, is being in the band and knowing the way I want certain things to sound, but also having to listen to opinions, and very valid opinions, of my bandmates. So, sometimes, I'll have to have conversations with them as a producer and then conversations with them as a bandmate.

It's such a wonderful thing for me to be able to be in there and make music with people that I love, first of all. It's something that I'm so passionate about.

It's no secret that anybody who knows the music business knows that the numbers are substantially different in Christian music than they are in country music.

I grew up in the church and loved contemporary Christian music. I go back to the early days of when it first started with the likes of Amy Grant and Michael W. Smith. Those people that really pioneered are heroes of mine.

I want to be a part of bringing more visibility to the Christian music genre and give it some platforms that it may not have had before. I feel like, as blessed as we've been with Rascal Flatts, I might be able, through some of my own connections and avenues, to give them some visibility in arenas they've never had before.

We spent night after night out there learning the art of entertaining a crowd.

People would say, 'Why are you guys in country music? You look like you're in the Backstreet Boys.' We took so much heat. We always said, 'It's not about hats and Wrangler Jeans. It's about a state of mind. Country is in our souls.'