Comedy always came easier for me. But I would have loved to have been an action hero.

If you're going to take a risk as a comic, make sure it's surrounded by other things that you're certain are funny.

Comedy relieves you. A lot of times, we think we're the only people bothered by certain things. Then you hear a comic say, 'Don't you hate it when...' And it's, 'Oh, my God! Of course!'

A great director is someone who makes you feel like you're moving forward.

One of the great things about kids is they haven't heard a lot of the old jokes. You can get away with the corny ones.

I love to draw, although I wish I was better at it.

I have great respect for the authorities.

Everybody I run into goes, 'Hey, 'Best in Show!'' Or, 'Hey, that dog movie!' which I don't mind because I'm not too good on titles.

How can we say any one actor's work was better than another's?

If I like a movie, I see no reason not to go back for Parts 2, 3, 4, etc.

'Field of Dreams.' Definitely one of the best baseball films of all time. When Kevin Costner spoke to his dad, and his dad answered, I, um, I mean a lot of guys I know couldn't help crying.

'Fernwood 2-Night' didn't help me too much when it was first on.

Comedy is harder, because if there's no laughs, it's pretty bad. But drama, if there's no reaction, you can say, 'Well, it's not their cup of tea. Maybe it's too heavy for the audience.'

With improv or a full length play - you know how you go to a theater, and after 10 minutes you say, 'Oh, I don't like this thing,' but you don't want to get up and leave? At a sketch show, it's always something new every few minutes.

If you're not doing something right, you can feel it on stage, and if it isn't going well, the audience will tell you. A teacher can teach you sense memory and this and that, but until you get in front of an audience, you don't really feel it.

I always loved comedy growing up - Bob Hope, Red Skelton and Danny Kaye.

I have always been more relaxed around comedy.

I used to collect autographs outside of the old Cleveland Stadium. I can still remember everyone who took the time and spent a few minutes to make your day. That sticks with you.

I'll talk your ear off if you recognize me.

After working with Wayne Brady, Colin Mochrie, and Jonathan Mangum, I said, 'I am never going to talk about improv again.'

I think everyone has a door in their brain that says, 'Do not exit here.' If you go past it, you'll find all the dumb thoughts in there, all the stupid things that shouldn't be said. I've probably gone there more than anyone should in a given lifetime.

I've always wanted to be on a soap opera.

Because I started my career in improv, performing with Second City and the Ace Trucking Company, I always enjoy being in situations where - as an actor - you have to think fast & be light on your feet.

I love working with Ty Burrell.

I really enjoy working on 'Modern Family.'

My stepfather was a military man: he was in the Air Force. Reserve. You thought he'd seen front-line action, but he was stationed in Cleveland.

I was an only child.

I'd love to have Burt Reynolds' career.

I guess the essence of my comedy is to get into a very abnormal situation but act like it's normal.

I am re-collecting the baseball cards my mom had thrown out when I went away to school. You know you are an adult when you can buy a whole set of baseball cards instead of two packs at a time.

To a New Yorker, a 1948 Indians World Series baseball signed by the whole team might be worth only $200 to $300, but to a Clevelander like myself, it might be, like, $1,000 to $2,000.

I just love everything that Disney and Pixar do. Not only do they do beautiful films, but they have great messages for kids.

I try to shy away from playing cranky people, but if it's just a funny next-door neighbor or business man, I'll say, 'Sure, why not?'

I like the characters that have some redeeming quality or if it's interesting to me in any way.

The witch in 'Snow White' is a very scary image.

Kids can relate to having some scary person living near their house. They can relate to, 'Hey, don't go near that house.' We all can.

My mom had me at a young age, like 20, and she was the oldest child. All her brothers were seven and 10, so I was like a younger brother more so than the oldest child. I was the younger brother to all my uncles, so they were going through their childhood and their teenage years, and I was right there.

My core thing is gangster rap, but a lot of my music is melodic and carries a message of survival.

Lil Wayne makes good music. He's one of the best rappers.

I've been known not to bite my tongue.

I'm cool with doing shows with 2,000 people. I don't have to rap in a stadium. As long as I can provide for my family and my art and live comfortably and live well, then I'm good.

I'd be a liar if I didn't say I learned things from Jeezy. Hell yeah, I took some things, some pluses and some minuses, do's and don'ts.

I don't really know what a debut album is no more. As long as you got music on the streets, you've debuted.

My TV stays locked at 'SportsCenter.' That and 'Pardon the Interruption.'

There's some dudes that did Gangsta Grillz tapes who probably weren't worthy of it - their label just put up the bread, or they did a favor.

My father took me to a lot of sports events as a child, and our TV stayed on ESPN.

'Pinata' is a great rap record for jazz fans.

I love Lil Wayne. I grew up on the Hot Boyz.

Sports is one of the keys to my life. It definitely kept me out of a lot of trouble and gave me a lot of discipline.

I just have to go against the grain. I mean, I can be objective and do what I need to do, handle my everyday living, follow directions, etc. But there's something that's always been attracted to that taboo. It's been like that since I was a child.