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I didn't want to do a throwaway, mindless movie with fart jokes just to make 6-year-olds laugh. I want to provide my children with some substance.
As much as I want to go out and tour every single day and I'm ready to rip it right now, there's five people in the band, there's five people who've evolved and grown and there's five people who have to get on the same page and want the same things, and it takes a lot to tour.
There's some people who are not understanding what Limp Bizkit is about. But, then again, who am I to tell people what they can use art for or how they can interpret it?
There's an insecure part of me that comes out of me, I get nervous. I don't know why, I wish I could overcome it because it gives me an anxiety feeling.
You know, in my music career there was a moment where the irony was just so heavy. There were people in my audience that were the reason I developed neuroses. These people that tortured my life were using my art, my poetry, as fuel for them, to torture other people.
I love it when talented actors can bring characters to life. Anybody who wears their feelings on their sleeve and has a harder, crusty shell - like I do - is definitely protecting an inner sensitivity.
I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.
When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'
When Wes came back to Limp Bizkit, we really wanted to do something different. We wanted to make a core record that we didn't care who liked or who disliked.
When you're a kid, you see your parents reading the newspaper and you're like, 'God, why are they reading the newspaper?' When you're young, you're not reading the newspaper. But there comes a time in your life when the newspaper's cool.
I made a lot mistakes that I'm grateful for, because I won't make them again and I won't let my artists make them, or I'll tell them, 'Don't do this.' A lot of them still make them anyway, but you can't be told things when you're doing your own thing.
I usually find several ways to express myself: different moods, different days, different voices, different things, 'I'm lighthearted today, I'm gonna do this.'
Once you get in a position where your rent is taken care of and you do have a job, you really get to deal with yourself and really become one with yourself. And you wake to your mind every day. That's your best friend and your worst enemy - your own brain.
I did a show called 'Lois & Clark' - it was about Superman - years ago. They wanted someone to play the president of the United States. The plot was the president got kidnapped by a group, and they made a clone of him, who was very irresponsible and silly.
I think my wife saw a picture of the rock group Journey, and they're kind of aging, and the one guy had dyed blonde hair with black roots, and... my idea was to get a little earring, I wanted to have a dangling earring.
I've never crossed over to be a big star. I'd like to be in a big $100 million movie, though. 'Cause I was in an 'Austin Powers,' I think I had two lines, and every once in a while, I get a check, a really nice check, for that movie.
My father passed away when I was 12, so it was very difficult. But I was always the class clown. I don't know why - maybe as an escape. But then I was sent away to military prep school.