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Marriage, or any committed partnership, has become sacred to me, powerful and fragile all at the same time.
I am somewhat grateful to the disintegration of my marriage for teaching me a lot about myself and about relationships, and though I wish it hadn't been such a taxing lesson, I wouldn't change a thing.
Don't sacrifice alone time with your spouse just because the kids seem needy. A united front requires adult time alone, so put it in the calendar and make it a priority. A house cannot stand on a shaky foundation.
I haven't always been the best advocate for my own body. I was a too-tall, pudgy child who felt completely out of control of the genetic lottery ticket she'd been given, so in retaliation, I shut down. I ignored my body and hated it for not being tiny and cute like my friends' bodies.
Everybody's got baggage, and not just the classic, 'Oh I have so much baggage,' but everyone comes with so much context, and you're not just dating a person: you're dating all their context, too. Part of relationships is negotiating each other's context.
I always tell people, 'Take a class or volunteer.' It really helps you get out of your own little pocket of people you always see and gets you exposed to a new group of people.
I'm a mental-health advocate big time, so I think it's great when depression is a thing that's discussed out in the open, because it's still way too stigmatized.
There's nothing like listening to the drone of QVC's always-bubbly pitchwomen, as they try to move loose-fitting tunics with 'just the right amount of sparkle,' to soothe you into a healing slumber.
You didn't have to know anything about show business to appreciate the characters' humor, because at its heart, 'Party Down' was about following dreams, dealing with rejection, and surviving all the lame jobs we've all had to work just to get by in the meantime.
If a show is wickedly, hugely popular, like 'Mad Men,' I assume that the masses, in their infinite inferiority to me, don't know what good TV is and that everyone is just brainwashed.
When someone insists that you watch a show that's already been on for a few seasons, they're basically saying, 'Hey, you're not doing anything for the next five weeks, are you? Because have I got a plan for you every single night! It's 'Weeds!''
It's absolutely amazing to me that anyone allowed their children to watch 'The Ren & Stimpy Show' in the '90s; it's dark, gross, nihilistic, and absolutely bizarre.
People often ask me, 'How do you go about choosing who to feature on Into The Gloss?' And I've never had a great answer. Ultimately, I think the #1 thing that draws me to someone is their sense of freedom.
Over the years of running Into The Gloss, I began to see a gap in the way beauty companies were creating products and marketing them to women. There wasn't one brand that really spoke to girls like me, who created products for real life. So we set out to create that brand with Glossier.
When Glossier launched in the U.S. back in 2014, it felt small - but in a good way. We were able to introduce ourselves locally, start a community, and build something special together.
My desk is more of a place where I set my stuff, and then I move around. If I'm at the office, I'm usually wandering around to different meeting rooms all day or taking people out or making tea. I'm rarely at my desk; it's just a place to hang my hat.
At 'Vogue,' I was responsible for a lot of production work, and production work is highly detailed, and you have to be very resourceful to fit a square peg into a round hole. I learned to push the envelope when it comes to asking questions or making requests.