I try to refrain from the alarmist statement, really I do. It's bad for the liver and worries the dog, who has plenty enough to worry about as it is.

Every election, a presidential candidate inevitably proposes a new cabinet agency. The idea is that this is the only way to solve a particular problem. Just create more government.

Newt Gingrich has certainly seen his own empire rise - and fall.

I voted for Barack Obama largely on the basis of his temperament, which I thought superior. He is only 47 years old, but to me seemed older than that: a man of precocious aspect and judgment.

Try, if you will, to imagine Dwight Eisenhower or JFK or Lyndon Johnson or, for that matter, Ronald Reagan chin-wagging with Jack Paar or Johnny Carson. Richard Nixon did, famously, go on 'Laugh In' in 1968, but as a candidate; and to his credit, he rued the day and hated every second of it.

President Obama came to office proclaiming that he aims to solve problems, not hand them on to our children. Most presidents say that sort of thing.

I've lived in Washington since 1981 and have been a faithful reader of 'The Washington Post' ever since.

Joe Scarborough was one of 74 Republicans elected to the Congress in 1994 in response to the missteps of the early Clinton era. He was the first Republican elected to Congress from his northern Florida district since the 1870s and handily won re-election three times.

I once spoke to 9,000 people, but they managed to fit them all into a structure that resembled a Zeppelin hangar, so it was a contained space in which whatever laughter I generated could ricochet and hang around for a bit, encouraging others to join in.

With real estate, it's location, location, location. In public speaking, it's acoustics, acoustics, acoustics.

I grew up in the GOP sandbox. My dad took me, age 7, to meet Herbert Hoover, in his apartment at the Waldorf Towers. He gave me a silver dollar. Being a young Republican, I spent it on comic books.

How many Republicans does it take to change a light bulb? Three. One to mix the martinis, one to change the light bulb, and one to reminisce about how good the old one was.

The Republican Party once could lay claim to the mantle of being the fiscally responsible, or 'Daddy,' Party.

When the going gets tough in Washington, presidents appoint 'blue ribbon' commissions.

Not much ever really comes of commissions, really. The last one that really came up with something truly concrete was the Warren Commission, and for all its good work, most Americans persist in believing that Oswald was working in tandem with the CIA, FBI, Lyndon Johnson, and the John Birch Society.

I'll let Democrats defend spending our grandchildren broke on entitlements.

What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.

I went to Bard College for a year. And then, even though I didn't think I should give my blood to the theater, I did go to N.Y.U., which is where I met Michael McKean.

You know when you're young, you have this unbelievable stupidity and arrogance and ignorance all mixed in?

It's dangerous talking about comedy; it gets to be very tedious and presumptuous.

In 'Waiting for Guffman,' the character I played, the Corky character, he's very serious about what he does, and it's not meant to be mean that this is a small town and these people aren't the most talented people. They're trying the best they can. So to be mean, that would be kind of horrifying in its superficiality.

'The Office' is an amazing show. So is 'Extras.'

Strangely enough, among my dad's things, I found the diary of an ancestor who was born in 1797 and became a ventriloquist in London. That was quite chilling. It described exactly how I was as a child but 150 years earlier - doing voices, pretending to be a ventriloquist.

I am interested in the notion that people can become so obsessed by their world that they lose sense and awareness of how they appear to other people. They're so earnest about it. But that's true of so many things.

Folk musicians have a lot of the same self-importance, but they're way more cruel and jealous than rock musicians - I know this for a fact because I used to be a folk musician.

In real life, people fumble their words. They repeat themselves and stare blankly off into space and don't listen properly to what other people are saying. I find that kind of speech fascinating but screenwriters never write dialogue like that because it doesn't look good on the page.

I spent a lot of time in London when I was growing up and I've always picked up accents without even really meaning to. It used to get me into trouble as a child.

I spent more time in America, but I developed a very English sense of humour. I clicked into it deeply with Peter Sellers, who is still probably my favourite comedian.

You know it's important to have a Jeep in Los Angeles. That front wheel drive is crucial when it starts to snow on Rodeo Drive.

I'm married to the person I fell in love with.

I painted sets before I ever performed.

I rarely joke unless I'm in front of a camera. It's not what I am in real life. It's what I do for a living.

People want me to be funny all the time. They think I'm being funny no matter what I say or do and that's not the case.

Comedy is like music. You have to know the key and you have to find players with good chops.

The movies have a way of seeping out there over time. We don't put them in 2,000 theaters. It wouldn't work that way.

Peter Sellers is my great comedy hero.

It's infrequent that that happens - great performances and magical cinematography and great direction.

They sell these golf aids that attach to your knee and your head and are supposed to keep your swing correct. It's futile beyond belief. I've never bought any, but I could watch those ads for 24 hours straight. People with straight faces saying this thing will take strokes off your game - that's my peculiar obsession.

Many times I'll improvise it, which isn't done a lot in movies or commercials. But a lot of my commercials are improvised.

I'm not really premeditative in any way at all. I come up with an idea, hopefully for a film, and then I'm lucky enough to do the film.

You can pick almost any field, and there's going to be weird people.

Comedies don't get nominated for Oscars. It doesn't happen. So when we set out to do a movie, it's not what we're thinking about.

The minute the money is more, you lose your control, so then there's no point.

The early parodies that talk-show people did of rock n' roll in the '50s were terrible. They didn't know it, they didn't like it - and that's a lethal combination.

In 'Spinal Tap,' there's the fake historical quality of 'Stonehenge.' It's something the musicians look at with a mystical reverence. In folk music, it's the seriousness with which these people approach their 'art.'

People who take themselves too seriously, who can't see anything else, are usually funny.

I get asked, 'Who would you really like to work with?' I'm already working with them. Smart, talented, funny people, good musicians, an extended family, good friends.

All these movies are observational comedies. I see somebody, maybe a dry cleaner, and notice how they are. Maybe I'll decide to turn a person with those traits into a studio chief.

I don't know if I'd mastered that documentary format, but I wanted to move on from it.

Most films, when you finish as an actor, you just go home.