When you think the night has seen your mind, That inside your twisted and unkind, Let me stand to show that you are blind. Please put down you hands cause I see you. I'll be you mirror.
I don't mind a repetitive chorus; I mind repetitive verse. I mean, it's the same amount of space. Why would you have only three diamonds if you can have six?
I wouldn't want to hear Beethoven without beautiful bass, the cellos, the tuba. It's very important. Hip-hop has thunderous bass. And so does Beethoven. If you don't have the bass, it's like being amputated. It's like you have no legs.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all. Sometimes it's me, or a composite of me and other people. Sometimes it's not me at all.
I can't do anything I want to. I mean, I can't have my own TV show. I can't have my own movie. But within my little world, nobody tells me what to put on the albums.
Meditation doesn't have to be complicated. What I do is about as simple as you can get. You could just count the beads, one, two, three, with your eyes closed or open, whatever makes you happy.
When you think the night has seen your mind, that inside you're twisted and unkind, let me stand, to show that you are blind. Please put down you hands. Cause I see you; I'll be you mirror.
I'm waiting'/for my man/ got twenty-six dollars in my hand/ he's never early/he's always late/ the first thing you learn/ is you always gotta' wait' -Waiting for the Man
I wanted to be an actor. That was my real goal. But I wasn't any good at it, so I wrote my own material and acted through that. That's my idea of fun. I get to be all these things in the songs.