"I was a very interested arts student, I was always into that part of school and when I got into high school I went into architectural drafting. It gave me an understanding of how to build things and it's really helped me put things in perspective. With my music and my movies, to me it's all art."
"'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them."
"I've been caught in parachute pants. And on my high school yearbook, they used the wrong picture. They were supposed to use the picture of me with a nice suit on. They used me with my collar flipped up, in a fuchsia and white striped shirt. I blame Prince and Michael Jackson in the Eighties for that."
"I used to love to draw. I didn't want to go to art class because I felt that would be too corny when I was young, but architectural drafting was the cool thing to do because there was more precision. It taught me a lot about building and structures and doorways and frames and windowsills."
"It's not like I'm the first man ever to do this, y'know? You gotta go back to Nat King Cole, Bing Crosby and Sammy Davis Jr. Those are people who've done music well and movies well, and y'know, Frank Sinatra and Elvis and all these dudes have made the transition. I don't know about Elvis, 'bout doin' 'em good, y'know? It's nothin' new."
"Even though I have a nice house, nice family, the rest of my generation is still in South Central L.A. My cousins, my brothers, my sisters, they don't wanna move out. They don't want to and they don't have the means to sustain it. That's where my heart is and that's what I think about all the time."
"Music is where I have the most creative freedom, but I love producing. To me, that's kind of where all the action is. You get a chance to have your hands in every aspect of a film. From picking a director, sometimes picking a writer, to the actors, the wardrobe, set design, editing, music, and marketing."
"My grandmother worked at one of those Bel-Air mansions, and we would go - not too often, but every now and then - to pick her up. Hollywood was probably 12 miles from my house, but it might as well have been a million miles away. The only time I saw that world was on TV. Until I started making records."