He wasn't certain whether he was a good or bad person. Whether he was altruistic. Whether he was demonic. But he was certain of one thing. He was an artist. And for that he would never apologize.
For a time Robert protected me, then was dependent on me, and then possessive of me. His transformation was the rose of Genet, and he was pierced deeply by his blooming.
We promised that we'd never leave one another again, until we both knew we were ready to stand on our own. And this vow, through everything we were yet to go through, we kept.
Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.
I craved honesty, yet found dishonesty in myself. Why commit to art? For self-realization, or for itself? It seemed indulgent to add to the glut unless one offered illumination.
In my way of thinking, anything is possible. Life is at the bottom of things and belief at the top, while the creative impulse, dwelling in the center, informs all.
Lost things. They claw through the membranes, attempting to summon our attention through an indecipherable mayday. Words tumble in helpless disorder. The dead speak. We have forgotten how to listen.