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In Los Angeles, I feel connected to a hubbub of strangeness. And I enjoy that; I like strangeness.
I'm still looking for the rules of what is and isn't pop music. I'm pop. I mean, of course I am. What isn't pop? There should be a pop amnesty where everyone reclaims it.
I'm trying to not follow fashion. I don't even like the word. But I do like clothes, and I like nicely cut clothes that last and that are built to be worn for the next 30 years.
I'm constantly doing new stuff, and I want it to be received really well. Who knows what's ego, what's business, what's artistic. It all shifts on a day-to-day basis.
There aren't many great adverts for marriage or parenthood. It always looks so stressful, and that's what I've been scared of. What you don't realise is how much you're going to get back.
You've got a beautiful country with so many beautiful people and so many beautiful things happening and stuff like that lets it down. I feel sad for them.
I want a hit. I don't think anybody spends 12 months writing and recording an album, making something cool, and says, 'Great, I hope this doesn't sell.' I don't understand that mind-set. I want hits: a big bunch of them.
I don't think it's important to be that good at singing. I think people who are good at singing sing backing vocals for pop stars. It's about how you project. I wouldn't consider myself to be a singer.