I think we are waiting for an e-book that even non-techies can be comfortable with. From my point of view, the biggest change is that I don't have to spend most of the day printing out and packaging a manuscript. I think I almost miss that.

Mum had done everything you need to educate a kid. She made me a kid who likes books and she told me about 'Wind in the Willows' and read it and I thought this is weird, Rat, Mole, Toad and my first ever Bolshie thought - you know about 'The Wind in the Willows.'

There is a soak-the-rich attitude in the air, a feeling that if you have a lot of money you must have got it by some ghastly means. I can quite happily say there was never any family money. All the money we got was mine, just from writing books.

As far as I'm concerned, I'm a writer who's writing books, and therefore, I don't want to die. You'd miss the end of the book, wouldn't you? You can't die with an unfinished book.

My own books drive themselves. I know roughly where a book is going to end, but essentially the story develops under my fingers. It's just a matter of joining the dots.

I think when people mean that Discworld books have become darker they really mean the series is growing up. In 'The Colour of Magic' most of the city is set alight. It's a joke, in much the same way that the Earth is destroyed almost at the start of Douglas Adams's 'The Hitchhikers Guide to the Galaxy.'

I write books back to back, and I work very hard on them.

An author writes a book, and that's the book at that point. And if the author writes the book again, then somehow something has gone wrong, if you see what I mean.

I think I work much harder on the children's books. I suppose I enjoy that. I find it interesting that although there are more than 30 books in the Discworld series, it is the four that were written for children which have won the awards. I've never been quite certain why this is.

In the first book of my Discworld series, published more than 26 years ago, I introduced Death as a character; there was nothing particularly new about this - death has featured in art and literature since medieval times, and for centuries we have had a fascination with the Grim Reaper.

The thing is, 'Discworld' had been going on for a very long time, and I've written children's books as well. Usually when people have a really big series they franchise it, which I thought is a bit of a no-no, so I thought what I'd do is I'd franchise it to myself.

And therefore education at the University mostly worked by the age-old method of putting a lot of young people in the vicinity of a lot of books and hoping that something would pass from one to the other, while the actual young people put themselves in the vicinity of inns and taverns for exactly the same reason.

I stroll along, talk, I sign books, people buy me drinks, I forget where my hotel is, I get lost and fall into some local body of water... done it hundreds of times.

All I am really promoting in the books is the Golden Rule, which I hope everybody knows to be "do as you would be done by." It has one or 2 flaws, but it is a good soundbite. Evil starts when you treat other people as things. There are perhaps worse crimes, but they begin when you treat other people as things.

People flock in, nevertheless, in search of answers to those questions only librarians are considered to be able to answer, such as "Is this the laundry?" "How do you spell surreptitious?" and, on a regular basis, "Do you have a book I remember reading once? It had a red cover and it turned out they were twins.

Read books. They are good for us.

Even an ice cream parlor - a definite advantage - does not alleviate the sorrow I feel for a town lacking a bookstore.

I'm never ashamed to read a book twice or as many times as I want. We never expect to drink a glass of water just once in our lives. A book can be that essential, too.

The odd thing is, that I wrote The Great Spring while I had cancer and it's not about cancer. It was after I was done with cancer that I wrote a book about it.

To encounter a fine book and have time to read it is a wonderful thing.

I feel that 'The Great Failure' is really a book written out of great love and a willingness to face all of who a human being is.

I think book publishing is fun, but I also know I've been very lucky.

Let's say I've directed that [writing] energy into writing my latest book but suddenly, I really want to write about an onion. I don't say to myself, "No, you have stay on the subject," because I know that the longer I stay on the subject the more boring I get. So, if my mind wants to write about an onion, it might be a deeper way to go into what I'm working on, even though it might seem irrelevant. This is how I've learned to follow my mind.

Friends open the door for me to write. Then I get paid attention to and it allows me to write other books. The Great Spring and the thirtieth anniversary of Bones just came out and while I'm happy and excited about that, I've already finished a new book. That's what practice does. You don't get caught.