I don't want people to look back at my matches and say, 'When you did that move, it was good, and I liked it because it was cool.' I want people to sort of remember a rush of images and the emotion that they felt when they saw it. That's when I think you have a real masterpiece in your hands.
The problem with Deep South to me is that there was a group that were tight with the boss, and they would always go out and drink and have barbeques. Then, when WWE would say, 'Who should we look at?' Bill Demott would say, 'Oh, look at this guy and this guy.' Of course those were his buddies.
I think, for many people, they think there's one giant promotion, and that's all that there is. It must be the best. But as they expand their palate and their horizons, they realize that, oh, there's other wrestling out there. They might not necessarily like it more, but it's an option now.