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For me, that's one of the best validations as an artist. To have a stranger come up to you and say that something you've created and put out there in the world has had some sort of impact on other people's lives.
What is an artist? For every thousand people there's nine hundred doing the work, ninety doing well, nine doing good, and one lucky bastard who's the artist.
What an absurd torture for the artist to know that an audience identifies him with a work that, within himself, he has moved beyond and that was merely a game played with something in which he does not believe.
Innate in nearly every artistic nature is a wanton, treacherous penchant for accepting injustice when it creates beauty and showing sympathy for and paying homage to aristocratic privilege.
I can't really see myself as an artist. Now, to step out here and there, do it when I feel like it, that's a possibility. But for me to be a full-fledged, full-time artist in the industry, I don't think so.
When the writer (or the artist in general) says he has worked without giving any thought to the rules of the process, he simply means he was working without realizing he knew the rules.
The artist doesn't have time to listen to the critics. The ones who want to be writers read the reviews, the ones who want to write don't have the time to read reviews.
The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life.
Artistic growth is, more than it is anything else, a refining of the sense of truthfulness. The stupid believe that to be truthful is easy; only the artist, the great artist, knows how difficult it is.