I loved working with Mandy Patinkin, I have to say.

I grew up in an environment in Birmingham that was really multicultural, with black kids, Irish kids, Indian kids.

There are countless fantastic actors out there who are being denied the opportunity to play Broadway because they're not a name, and I think that's kind of wrong.

We've yet to deal with the uncomfortable history of England being involved in the transatlantic slave trade, whereas America has at least made some movies dealing with its racial history.

I'm very, very used to feeling anonymous, you know?

Back in 2005, the Anthony Nolan Trust could have asked me just to speak out about the lack of ethnic minority donors on the bone marrow register, but that would have meant nothing if I wasn't prepared to join up myself.

Growing up, I really looked up to the classic Hollywood actors like Spencer Tracy, Robert Mitchum, and Peter Falk. I love character actors - I've never wanted to be the leading guy.

I am the youngest of four children - three boys and one girl. I don't think becoming an actor had anything to do with seeking attention, though. My relationship with my siblings when I was growing up was close and playful.

I loathe the word 'celebrity,' and I hope I'm not a diva. Whenever I see diva-ish behaviour, I just leave the room; I find it appalling. You should always try to be civil to people.

I'm the only member of my family who dared to move away from Birmingham - my brothers and sister are still here, along with my mom.

I can only appreciate the kind of work that goes into being a top drag queen. Ru Paul looks just astonishing as a woman. And he's got this fantastic turn of phrase. I find him hilarious.

The area where I grew up in Birmingham was very diverse - I was aware of my race but not overly aware of it - and there seemed to be an understanding that we were all very much in the same boat.

I remember coming back to the U.K. after spending five months in Charlotte for 'Homeland,' and I just found myself just wandering around London. There's nothing like it - the buildings, the architecture, the sense of history, the sense of culture - there really is nothing like it.

Birmingham people are the salt of the earth, and I've carried that with me all around the world. People respond to a certain down-to-earthness that I have, and that's purely as a result of coming from Birmingham.

Two years after drama school, I had a nervous breakdown: I heard voices, and the voice I heard in my head was Martin Luther King's.

I have always been reasonably anonymous, but I suppose that has gone with the success of 'Homeland.' I feel a lot more visible, which is good and bad. Good because I am getting recognition, but I am slightly apprehensive because I always enjoyed my anonymity.

We don't like talking about race in the U.K. - it's a very sensitive subject. People get extremely defensive and run for the covers, but I believe we have to talk about it.

I do know in the 1960s comics, Martian Manhunter took on the form of a black man - that could have been influenced by the political climate back then.

Fatherhood is a joy. I feel very lucky to have a family. It gives you a perspective on things.

My parents came over from Barbados in the late 1950s and early '60s.

In the U.S., these sights are no longer a surprise to me. I see army generals, captains of industry, and politicians of all colours and creeds on American television.

Giving kids the chance to see live theatre should not just be free, it should be compulsory.

I do enjoy acting, but it is such a game. So for that reason, I don't think I'll ever leave London.

When there is enough food to feed everyone, why are 870 million people going hungry? We must learn to share what we have; no one race or nation has a greater right to life than another.