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I don't have this feeling like, 'Oh, I want to live in the United States and make movies and become famous just because the money is here.' I like to make movies that tell stories that I care about.
When I was growing up in the theater there were all these amazing girls telling me about the guy who broke their heart. And I was always wishing that it was me.
I'm always going to be working on my English, and I'm always going to work on my English so that I can do different characters from different nationalities.
My dad was a theater designer, and I spent a lot of time hanging around the dressing room listening to whatever the actors were listening to, which is where I heard Pink Floyd for the first time.
There's a big debate in the U.S. about immigration reform. We need to reflect on who's feeding this country today, why this community has been ignored.
When I was 12, I used to be the best friend of the most beautiful girls, but just the best friend. They would always come to me to cry about a guy who broke their heart, and I would just be sitting there thinking, 'I wish I was the guy and not the best friend.'
The first time I heard the Mars Volta, I had a feeling I was experiencing something that people must have felt when they first heard Led Zeppelin. They have the same kind of power.
Many of my favourite hotels are in London. I like the Covent Garden Hotel and I stayed at Blakes last time I was in London. I like the feeling of warmth and homeliness that you get from both of those places.
Every time I come to the States, I wish people would react to war like they react to tobacco, for example. Because war really kills in a second lots of people, thousands of people.
When I was a teenager, I went on an organised three-day tour of Rome. It was the worst experience ever. I promised myself that I would never travel like that again, with someone telling you what to see and what not to see.
What we have in Mexico and Latin America is a wide diversity of voices, but in Mexico, for example, we haven't been able to get a lot of the movies into theaters.
As producers, we choose who to work with and what films to get involved with. There's no rule, but it has to come from an honest place. It has to come from a necessity.