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I always love listening to Bob Dylan. 'Blood on the Tracks' is one of my favorite albums.
After I was cast in the acclaimed film 'Khuda Ke Liye,' I thought it would open up film avenues for me in Pakistan and, maybe, even internationally. When that didn't happen, I decided to use TV as a means of polishing my craft.
My character has to be alive. It can't be a mere prop, and it has to have a life of its own. I need to have that space to play around and the scope to interact with the people around me. That freedom would give me a lot of margin to improvise with.
There is so much to learn that I find the entire debate that Pakistani actors shouldn't work elsewhere senseless. By working in other countries, we're able to move out of our comfort zones, learn more, and bring that back to our own industry.
There's a strong bond I feel with my wife. It's not that I haven't come across other attractive people in my life, but no one else was willing to put up with me.
I have the gift of the gab, can talk and perform, but so can others. I can only attribute it to the fact that somebody up there likes me: it's remote-controlled by God.
'Khoobsurat' was an eye-opener in many ways. Cinema is a colossal money-churning business in India, and working in that environment offered me quite an incredible learning experience.