Most of the time I live a fully anonymous life, which is the way I like it.

I never thought about moving to L.A.; I always wanted to be in New York. I moved there, and now I still have a kind of love affair with the city.

I reveal all of myself. I bring all of myself to my roles. You only see me. You don't see anything else but me. That is who's there. They're manifestations of my own self.

I object to the actual phrase 'Follow me.' You've gotta be kidding! Why would I want to follow anybody else? Nor do I want them to follow me. The machinations of my life, the banalities - they're mine. They belong to me.

Man, I would have loved to have been fully cognisant of the power of Janis Joplin. I would have loved to have been part of the revolution.

Privacy is paradise.

My sister took me as her own. My mum had a lot of help raising me. That's what happens in large families: your siblings raise you.

I am a huge fan of Cronenberg, all his movies.

I've enjoyed the process of understanding who I am through my work and who I am in relation to others: the intense collaboration that acting requires and thrives in.

I don't offer advice to actors only because I've seen actors become successful through ways that would never even occur to me or that wouldn't work for me.

I think it's really odd, too, that the public is so privy to how much money the actors make and what movies cost. It seems to me to be beside the point. When I go to a movie I really don't want to think about the money. I want to see the story.

I act probably a lot more than you see. I happen to choose movies that don't have much of a life, or I choose movies that are shown on cable instead of as features.

I would love to work more - I really would - but there is not a lot of stuff around and the stuff that is around is not very complicated; it tends to lie a little flat.

More and more movies have been pressured to allow reporters and TV cameras to come onto the set while you're working, and I find that a real violation.

I've never worked as much as I would've wanted to, and that's why I end up doing a lot of stage as well, because stage is a full course meal.

I really admire people who are extraordinarily tolerant and patient.

The rhythm of my career has always been very static, staccato and then silent, and then a lot of work, and then none.

I've never directed, but it must be humbling.

I get cold really quickly, but I don't care. I like weather. I never understand why people move someplace so that they can avoid weather.

I appreciate my instincts, but my instincts can be dead wrong. Circumspection can give you time.

What's great about cable is that the ceiling of expectation is lowered because fewer people have to tune in for it to be a success. You don't need 23 million people a week like you do in broadcast.

The forcefulness of life is where vitality kind of intersects.

Is there a higher energy? I would say yes, even if the energy is collective. Even if it's kind of Jungian, or the whole thing is collective consciousness, that may be God as far as I'm concerned. So is there an energy that's higher than mine? Yes. But would I claim it as God? I would say no.

My nucleus of friends or something protects me from the machinery that is Hollywood. I don't think I'm on the same quest that a lot of people are. I guess that could be a limitation.