I think my favourite thing about doing conventions is the parents taking their kids to see their favourite drag idols, because open-minded, progressive parents are making such a change in the world right now. The more open-minded these kids are being raised, the more hope I have for the future.

Ever since I was a kid I just thought that women had the better outfits, women had the better hair, women got to wear makeup. I just got jealous of what women got to do onstage. You dress up a man and ultimately it's just a different variation on the same kind of suit. There's a whole wide world of what women wear onstage.

I prefer to be gender fluid or non-gendered and I dress in drag almost every day of my life even if I'm not in my full Jinkx Monsoon persona - I'm the kind of person who does not dress like my assigned gender and I wear makeup every day and sometimes wear wigs as a boy.

You don't know that you're not a solo artist or standup comedian or drag cabaret artist until you try it.

Almost all the Disney villain witches are gay icons.

Drag is very much an art form, and all art goes through ebbs and flows and trends.

I feel that drag queens impersonate very strong, independent women who inspired us throughout our lives.

I was always ready to submit my life to my career - but I don't think anything could have truly prepared me for the reality of that.

We like to take pop songs that have really cool, complex melodies or lyrics and strip away all that fluff and electronic noise, and put them back as if they were written for a singer and a piano.

I've had some really great experiences in London and the fans are really loyal and always happy to have us.

If you have to mask the things you're insecure about, go ahead. Wear four pairs of pantyhose, pad your hips, boost your boobs - whatever it takes to walk out of the house feeling like you own the world. Because there's no reason to waste your life hating something you can change.

When I'm doing an exaggerated character, I hope it's clear I don't think this is how women do, or should, act. There's aspects of Looney Tunes in drag. But there's something poignant about a man dressed as a woman, talking about gender. It can make you realize how similar the genders really are.

If one drag queen penetrates the mainstream and opens up a new avenue for us to take with our careers, that means all of us can potentially do that.

We have such an amazing drag community, and I don't think people fully realize it about Seattle.

Australian audiences seem ready for anything you throw at them.

I want people to see that you don't have to be catty and mean to be a superstar.

I've always been into the music of the 1920s and 1930s.

I started drag in Portland, Oregon, but I don't feel that I came to life as a drag queen until I started working in Seattle. That's what really lit the rocket fuel in my career.

I play a lot of video games, cook meals for my best friends and chosen family in Seattle, and find time to visit my family in Portland, Oregon.

When you are living your truth, you will meet people who love you for that truth.

My first drag role was the character Widow Simone in the ballet 'La Fille Mal Gardee.' She's a crazy social climbing woman trying to marry off her daughter to the wealthy town idiot. And in the middle of the show, she gets to perform a clog dance. I loved it.

I very much treat my stage persona of Jinkx as a character I've created. Some drag artists do a look-based glamour act, and when they talk they're mostly just being themselves. In my case it's not Jinkx the drag queen, it's Jerrick Hoffer as Jinkx Monsoon.

I went to 'The Nutcracker' every year with my grandma and aunt. Then, in my early teen years, I thought I wanted to be a ballet dancer. I went real gung-ho in that direction, and I started performing in 'The Nutcracker.'

No matter who you are in your day-to-day life, and no matter what you look like, and whatever insecurities you're dealing with, you can fully transform yourself. It's as easy as deciding to transform yourself.