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I don't see anyone walking around with a puppet on his hand in real life. Puppet therapy is very common for children. It's not something that adults take on.
I was one of those avid moviegoers as a kid, and we didn't have video, so we went to see everything five times. I went to see every foreign film playing in my town. As times went on, I watched a lot less films. I have a different film school now. My film school now is my life experience.
I had a certain career as an actor that I think was quite personal as well, and had a lot of integrity, but I wasn't writing my own things or directing my own movies.
I make movies about people in spiritual crisis because it's a way for me to spend the time, the energy, the focus and the obsession to come to terms with my own spiritual crisis.
I love more than anything looking at a movie scene by scene and seeing the intention behind it. It allows you to really appreciate the hand of the filmmaker.
I don't like it when reviews aren't about the movie. When they're about how much money somebody made, or who they're sleeping with, or if they got the job via some connection, or about how Fox is putting X amount of dollars into it.
If I make two movies my entire life, and they're two movies that - whether they make a lot of money or two people go to see them - they speak of me, then I consider them incredibly successful. I don't need to be Steven Spielberg.
I feel at various times in my life that I've been at a point where I had to choose between a death sentence and a life sentence. And I want to live. What do I do to live? What do I do to be vital? And the answer is always creativity. The answer is always art.
I had a prodigious life, living in a grown-up world when I was a child. But I think my abilities were about perceptiveness, and they were about examining psychology and examining people and relationships.