When I was doing 'Spring Awakening' the first couple of years I was living in New York, I was gay, and I was living with my 'roommate,' who was my boyfriend but was my roommate to everyone else.

I did 'Spring Awakening' on Broadway for about three years, and I did over 500 performances.

I got cast for 'Spring Awakening' when I was 20. Every dream I had came true in that moment.

Trying to sound good at 10 A.M. is the worst.

In the first year in New York, I went to this amazing teacher named Jen Waldman. She does lots of different classes, but one of her classes was where you went and worked on a song. And suddenly I felt like an artist again, and because I had worked the whole song, when I went into the audition room, I could connect to something in the 16 bars.

The difference between being in the closet and out of the closet as a gay man is such a huge shift. I feel so connected still to that 22-year-old, but the idea that I was not open with that part of my life - which I am now so open about - is sort of surreal.

I think about 'Will & Grace,' and I think about 'Modern Family,' and the way that being gay has become sort of middle America... in the way that they show gay people in their specific way.

Even the first suitcase-off-the-train moment, it's easy to be discouraged, frustrated, annoyed, angry. Because you're waiting in freezing weather outside of an open call, and you're like, 'This moment of me right now is not the joy I felt when I was doing J. Pierrepont Finch in 'How to Succeed in Business Without Really Trying' in high school.'

People create from different places. Some love to create from a tortured place, some from a joyful place. And when I feel like I'm a 5-year-old kid in my backyard playing pretend, that's when I'm happiest.

After 'Spring Awakening,' I wanted to do things that are really challenging and outside my comfort zone: things that scare me a little and make me grow.

I was definitely planning to go to college, but I deferred my admission to Carnegie Mellon to be in a non-equity tour of 'The Sound of Music.' But I made very little money in the tour, and college is really expensive, and I thought I'd never be able to pay off those loans.

There's kind of a gift in being gay because, if you come out, you're forced to express yourself.

I don't hate dating people, but I'm not on social media or anything.

I went to a local high school in Lancaster. Not much I can say about it; it was pretty much your typical public high school back in Pennsylvania.

If I've had roadblocks along the way for being gay, I'm not aware of them.

I was playing this character, Melchior Gabor, who was a rebel and who was a person who didn't let the world define him, and who stood up to authority and was this kind of revolutionary... And when I left 'Spring Awakening,' I came out of that experience feeling like... I had cultivated this side of my personality that hadn't existed before.

Obviously, gay projects play a special role for me because I am gay, so I'm doubly proud of them.

It's one thing to experience your Broadway debut alone, but to share it with an entire company was like summer camp or a college experience, where you were really growing up together.

Maybe someday I'll have a job where it haunts me or it's hard to move on.

I'd always done musicals, and so living in the world of straight plays and working with off-Broadway actors and living in that community was a completely life-changing experience.

Playing King George, for me, was a lesson in stillness and timing.

Just follow your joy. Always. I think that if you do that, life will take you on the course that it's meant to take you.

I feel like loyalty is such a rare quality in this world, particularly the entertainment world.

I remember telling my mom, 'Mom, I'm gay, but I'm not going to march in a parade or anything.' That's what I was telling my parents and all my friends and everything. I'm gay, but I'm not going to be on a float or something. Cut to five years later, and I was the grand marshal of the gay pride parade.