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As actors, we're always asked to portray and react to these extreme circumstances, otherwise it's not interesting. They are agonizing things to think about.
People accuse me of being Methody, but I'm not at all. The one thing I don't want people to see is me. I don't want them to be able to recognize my faults and failures and qualities, and I won't use those things to spark off emotions or to illustrate.
I mean, if you're being directed very precisely by somebody who has admiration and who's really smart, it's great. If you're being told what to do by a nincompoop - and luckily that hasn't happened very often - it can be very frustrating.
Making films can be absolutely fantastic, but it can also be incredibly dull. You spend the whole day sitting by yourself in your trailer and then you get called to deliver one sentence - then you're told to come back and do it again at 5:30 the following morning.
If you make a film about a pig farmer in Wales and you are a huge hit as the pig farmer's wife, the next thing is you'll be asked to do a film about a sheep farmer in Scotland.
I have a feeling I will work for a long, long time. I like it a lot... and I don't know. I just have a feeling that I'm going to be one of those people who go on for ever.
I can't get into all that physical stuff of having to have flawless skin... Sometimes you see people and it looks like someone's got an eraser and made their face a little blurry - their traits seem to go out of focus.