'The Fugitive Kind,' 'Rope,' 'Who's Afraid of Virginia Woolf?' - I watched all these as a way of reminding myself that you can do a movie based on a play. You can do a movie that stays in one place for a long stretch.

It's very difficult to set a film in one setting without giving the audience some intensity and some relief.

If you like rock and roll, if you like rhythm and blues, if you like jazz, if you like hip-hop, you might be black-ish.

It's always a collective group of people coming together to oppose those things which are fundamentally contrary to our basic humanity.

John Wick is not a guy that asks for help, so when he goes to somebody for help, whoever that is, you know he's a serious cat.

I think any city that does the Olympics takes on the world and has to grow and has to kind of assimilate all sorts of folks.

When I first read 'Boyz,' I cried. It could have been about some kids in Warsaw, Poland. I knew it was good, but I had no idea what it would do to me.

My mother is quite a woman. She would push me, and when I got tired of her pushing, I'd say: 'Leave me alone. Don't push so much.'

I came up around people who took acting seriously, who cared about acting, cared about the theater and, in the '70s, made movies that said something that mattered. I came up with those people, and I was a kid. Their ethos and credo became mine.

You know, whatever happens between the two of us that's created when we come together as actors is not something I think we can explain.

I believe in my children. I believe in human beings. I believe in the goodness that is in human beings. I believe in many, many things that I cannot prove. I believe that there's the world of the seen and the world of the unseen.

I have a man cave somewhere in California - a totally undisclosed location where manly things occur. There are motorcycles, there are secret doors and passageways. Women are welcome, but they must knock.

'Apocalypse Now' was my craziest experience ever. I was 14 years old, and I'd lied about my age to get the role. I haven't had another film top it.

I play characters. I don't think I really have a persona per se. I don't play the same guy every time. I show up, you don't know what I'm gonna do. I like it that way. I've intentionally tried to do it that way. I think that's what's interesting.

I think everyone is very surprised at how 'Matrix' has become the pop culture phenomenon that it is.

If you asked someone who was a Maori about how they felt about how they were treated in Australia or New Zealand, you'll get an answer. They'll have something to tell you. And you might not like what you hear.

I carry a lot of feminine energy as well as masculine energy, and that's the hit that people are getting. That vulnerable thing is not what we assume with black males. You get it, and then they cease to become scary. They become human. You cease to have a bogeyman.

As a man of colour, I've spent my life asking people to see me for who I am. With Obama in the White House, it feels like people have finally caught up to where I've been most of my life.

I have taken care of my gift, and because I've taken care of my gift, I feel like I've been continually and constantly blessed to get to do wonderful things.

I certainly believe that being in contact with one's spirit and nurturing one's spirit is as important as nurturing one's body and mind.

Acting and philanthropy are braided together. I've tried to seek out things that speak not just specifically to the community that created me, but that speak in a way that's universal and all of humanity celebrates.

I actually had the opportunity to stand at the lectern in the Supreme Court and face the justices, which was really a powerful thing for me.

If you're playing a real person, then you want to do a certain amount of research, but that's only going to be so useful to you. Each role requires a different kind of approach to get ready.

I've played a lot of bad guys, 'cause that was the only work I could get. People saw my face and went 'oooh'.