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I don't worry when I go away for a while. I think there is a place for me. It may not be at the top of the heap. But that doesn't bother me, either. I think I will always be able to get work - which is the only thing I have ever really been interested in.
I've chosen all my films very carefully. I know that I've had better parts in some films than in others. But the films I do are the ones I want to see when I read the screenplays. I guess you can basically say that I've just done things I loved when I read them.
I wasn't making any money, but I didn't feel unsuccessful because of that. You can do that in New York but not in Hollywood. In Hollywood, it is how much money you make.
We're all very fond of a black box in our living room that works on diminishment of images, that spoons somebody up in a very limited way. It can be a reduction at its worst.
I don't know if I've ever read a movie that's as strange and unpredictable and hilarious and wonderful as the stuff we're doing on 'The Last Man on Earth.' It's jaw-dropping every week when I get a script, because it goes to such strange places.
1977 is the year I made my first movie. Shortly after, I was offered quite nice roles in television. The general consensus among everyone was that I'd be out of my mind to do that.
I wanted a relationship like the one my mother and father had. It wasn't perfect; they had to work on it. But there was an unbelievable mutual respect.
I don't want to go to just watch big huge summer movies that everybody predicts is going to be the big huge summer movie and that are all the sort of blow-them-up movies or whatever you want to call them. I think there are a lot of other people out there, too, that want an alternative.