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I suspect, for a lot of people who become actors, there's a feeling of wanting to be someone other than who they actually are.
I got a good-enough adolescence. I mean, there's a sense wherein you skip a part of childhood, too, when you start working at that age I did; I was out working and out of home at 15, paying my own way in the world.
I had a pretty good career at home. What keeps you going is not having a plan B. It's a very good thing. I think if I had a viable plan B, I might not have kept going.
I got the first job and kept going. Once I got a job, I very much wanted to keep getting jobs, basically. I did try to learn what I could in those first couple of decades.
I was with my grandmother, while one of my brothers lived with my dad, and one lived with my mom. It wasn't a great situation. Acting was the one good thing I was involved in.
The very rough story is this: Melbourne boy, out of both my parents' houses at a young age, lived with my grandmother, drama teacher twisted me into doing this TV thing that I thought my mates were doing, too.
It's a tougher gig than what people think it is. The proper, real, genuine, worldwide movie stars don't get a lot of downtime from the world outside. That's a tougher price, I think, than what people's fantasy of fame account for.
The thing about home is that it's a tough place to sustain a career, just by dent of the size of the place. I had about as good a run there as anybody, but it's still a tough ask. I mean, the person I think with the best career in Australia is Ray Meagher, in 'Home and Away.'
Once upon a time, they thought I was a sweet, wide-eyed boy that was just trying to figure out how to kiss the girl. Lots of comic relief and adolescent yearnings.