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I've done a number of things based on real people or true stories or based on books, and I'm a great believer that you have to be true to the script.
I had to ride a horse once. In 'King Arthur.' I said I could ride, but I had to call for lessons on the day the deal was signed. I started out on this little chunky thing and slowly moved up. It was months of work.
There's something to play if there's conflict going on. Whatever that conflict is, that's where drama is; if the character is grappling with something you've got something to play, there's layers to it.
I actually really love working with young actors because they're so responsive and instinctive, and it's a much less honed craft that they're employing.