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Now it comes to this stage of my career when I get to play the wicked witch all the time. You know you start off with Cinderella and then you end up playing the stepmothers.
I never read the good press and never read the bad press. If you believe the good press you're finished. If you believe the bad press, you won't be able to continue.
It's a collective experience when you're making TV. You think of all the people who work hard to make this extraordinary and you just hope that it works well.
My mother was a woman of the '50s who had a family in the '70s while finding her political and feminist voice. She could make marvellous three-course meals after teaching all day but hated it. Because of that legacy, it took me a long time to realise the delights of the family table.
I ate ostrich. I'm not very proud of it. I was going through a very experimental period and probably during foot and mouth. It was exquisite, but I felt very guilty.
I was a waitress at a really rundown Italian restaurant in Dublin, for about a week, at 16. I thought it was going to be romantic - overhearing affairs and watching first-time couples all loved up. But instead I was just running about constantly.
A lot of actresses say they are 24 when they are 34 but I find that ridiculous. I wish we didn't succumb to the youth-is-all ideology in this industry, because there is a huge audience out there who want to relate to characters of their own age played by actors of their own age.
Ballykissangel' made me a household name, and I am enormously grateful for that, but I don't feel it would ever have developed me into a better actress had I stayed.