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I think you're attracted to things that are different from yourself in a character because it's more interesting, and you get to play out a fantasy version of yourself.
I always had a very strong sense of independence. I really liked being able to buy my Alanis Morissette 'Jagged Little Pill' album. I wore that as a badge of honor. I love not having to rely on anyone.
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
With every film that you do, you're always so nervous. You feel exposed because you know people will see this eventually. You sort of have to put all that out of your head. What will be will be. But it's nerve wracking.
There's so much of a desire in the entertainment industry for newness, a desire to build somebody up and then treat them as old news within six months. I think you'd be naive if you didn't try to hold on to your own way of doing things.
I think that my parents' divorce gave me a very strong sense of self-reliance and independence. I realised that I needed to make sure I could support myself because you don't know what's going to happen in the future.
Any creative process comes with a level of self-analysis and self-criticism. There's a lot of waking up in the middle of the night going, 'Oh, I wish I had done that differently.'
I'm very excited that I can get on a skateboard and skateboard down the street now. That was something I never thought I'd be able to do. I conquered my fears.
I always wear the shoes of the character a week before going on set; the idea of just putting on a new pair of shoes on the first day of filming is just horrific.
I have a great plain blue shirt from APC, and a denim one from Dolce that I wear constantly. It's hard to find the perfect denim shirt, but this is it.
The key is working with great directors. A film is so many different people and all their talents, but particularly the directors, because of the idiosyncrasies of that person.