Love New York Presbyterian. I will do anything for them.

I think Maura'is funnier than I am, wittier than I am, more intelligent than I am, and I think she's just floating me at this point.

I had a theater that was right across the street from me, and I would just go there after school and just hang out and watch... and everything seemed calmer there and nicer there and warmer there.

I almost should have a shirt made: 'Jill Soloway has changed my life...' Not only changed my life with the opportunity to play Maura, but the opportunity and the responsibility of playing Maura.

To you people out there, you producers and you network owners and you agents and you creative sparks, please give transgender talent a chance. Give them auditions. Give them their story. Do that.

I've done 'Yo Gabba Gabba!' I've done... oh, it's not called 'Rapunzel' anymore. 'Tangled', that's it. Those are both huge.

It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.

George Saunders's 'Lincoln in the Bardo' is a hands-down masterpiece - the subject of Abraham Lincoln and the genius of this author is a perfect union.

I don't take off my nail polish when I go home because I'm too lazy, and they're fine with it. Maybe the checkout at the grocery store's not so great with it, but they're fine with it. The distrust, the phobias, those are learned, those are taught. But the natural grace is to understand and to love.

'Clocked' means someone sees you for being transgender.

We did a thing that we would call we call 'hirstories.' H - I - R - S - T - O - R - Y. I would enact a young Mort. And that always felt - it was so funny - it felt more difficult than playing Maura.

I grew up in San Fransisco in a very liberal community. My environment was very, very open and very liberal.

I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.

I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.

I was a young actor who was bald, but at that time, there was a thing on television that - there was a prototype or a stereotype of a principal who was bald and mean with glasses, or there was... the angry boss who was bald.

When I was growing up, there was a character on TV; there was a character stereotype: it was personified by Mel on 'The Dick Van Dyke Show.'

When I was a young boy in San Francisco, I remember being sent home from playing with a friend, and I remember the mother saying, 'Tell Jeffrey to go home.' And I said to the girl, 'Why?' She goes, 'My mother says that you're the people who killed Christ.'

My education was doing good plays and also stinkers. When you do a stinker, you learn how to act. I like having to audition. It's nice to do rehearsals. But it's with an audience that you get to love it!

I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.

And I'd watch George C. Scott from backstage. He was one of my mentors.

My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.

As my manager says, 'These are wonderful problems.'

The Emmy should be an ensemble award, too. I kept howling at everyone else's performances.

I love this company. I don't know how it was selected. It's a bunch of machers. They mean business.