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As an actor, you are in a unique position because you're not only memorizing dialogue but really embodying it. You naturally feel the rhythm of good writing.
As an actor, if I show up late somewhere or I say something that's eccentric, it's totally acceptable - not only that, it's lauded in some perverse way.
When you take on a role, even if the character is somebody that you are dissimilar to, you have to identify with the role and look for an emotional connection even if there is not a biographical one.
I guess the more serious you play something, if the context is funny, then it will be funny and it doesn't really require you to be necessarily, explicitly humorous, or silly.
In 'Zombieland,' it was such a freewheeling plot it almost didn't matter what the characters were doing scene to scene as long as there was a consistent banter.
When you're acting in a movie, you never consider the reception of it. It's impossible to predict how something will be received. Even if you think it's the greatest thing in the world, other people might not like it. Or agree with it.
You don't realize it until you go out and take a look, but there are so many ways in which sexism is just allowed in our culture, not just in the entertainment industry. It's just allowed to be there, and that's not acceptable anymore. And I think it's really important to be very vocal.
I always wanted to be a children's author, and I have a really big library of children's books. All the ones from when I was little, they are just so beautiful. I read kids' books, and they calm me down.
I loved pretending to be a middle-aged Jewish woman. I just wanted to do what I saw Gilda Radner and Carol Burnett doing. But I'm not a particularly good impressionist. It was never my strong suit.